Director Milo Neuman’s approach to “Blue Beetle” for this DC Showcase is pretty fin as it watches like an incarnation of the old Hanna Barbera cartoons. Think “Blue Falcon” meets “Johnny Quest” and you’re there. “Blue Beetle” takes the often under used costumed hero known as Ted Kord and runs with his concept, turning him in to something of a quipping avenger who works off of the overly serious The Question, and it’s a fun preview in to what DC isn’t but should be doing with these overlooked characters.
Tag Archives: Action
Blue Beetle (2023)
After a year that’s been filled with nothing but losses from Warner and the now finished DCEU franchise, “Blue Beetle” is the win that they sorely needed. Thankfully, I’m very elated to say that Angel Manuel Soto’s adaptation of the acclaimed DC Comic is a great film. It manages to pull off a lot of what “The Flash” and “Fury of the Gods” didn’t by offering a fantastic narrative and some wonderful action, packed with great themes about family, culture, and unity. “Blue Beetle” is teeming with positivity, even when it’s at its darkest, as it promotes a lot of universal ideas of leaning on family, figuring out how to endure through pain, and figuring out your inner power.
Miguel Wants To Fight (2023)
Director Osmany Rodriguez’s “Miguel Wants to Fight” is a lot like a Gen Z version of “Max Keeble’s Big Move” mixed with “Three O’Clock High.” It’s a coming of age movie about a teen who makes a self realization in the midst of a big move to another town. Except the premise for the movie is what you see in the title. Our main character is teenage Miguel who is looking for a fight before he leaves; except it’s a tad more complicated than that.
Swamp Thing (1982): MVD Rewind LaserVision Collection [4K UHD/Blu-Ray]
It’s too bad that in Wes Craven’s long and storied filmmaking career that “Swamp Thing” is the movie that’s aged the worst. It seemed like a slam dunk for the director, but his approach toward “Swamp Thing” never quite rises above niche horror camp. Even when adapting the source material as straight faced as possible, “Swamp Thing” is really never great as, say, “A Nightmare on Elm Street” and that’s probably because the movie itself jumps back and forth in tone and aesthetic. It goes from cheesy monster movie to an attempt at a Beauty and the Beast tale. It garners clear moments of pure camp and then tries to offer allegories on God complex drawing obvious influence from “The Island of Dr. Moreau.”
Sharknado (2013): 10th Anniversary Edition
The Pop Culture Phenomenon That Took The World By Storm Comes Back to 500+ Cinemas Nationwide, fully Remastered, for Two Nights Only On August 15th & 16th. Tickets are available for purchase.
Back in 2013 a lot of people gave The Asylum guff, and could not predict the kind of pop culture sensation they would eventually produce. “Sharknado” is that classic bit of pop culture camp lightning in a bottle like “Snakes on a Plane” or “Birdemic” where the public is just infatuated with the sheer absurdity of it all. “Sharknado” took a lot of the media by storm back in 2013, leaning heavily in to its ridiculous premise to produce what is—well, still just an okay bit of cult cinema. The Asylum with Anthony C. Ferrante knew what they were giving us, and it shows in every scene of their movie.
Five Underappreciated Comic Book Style Movies
There was a weird period in the aughts where movie studios were becoming more and more open to adapting superhero and comic book movies, but weren’t quite committed just yet. Meanwhile they did release some movies that were comic book like in nature and concept, and while they kind of bombed critically and or financially, I enjoyed them quite a bit. A few of them were even ahead of their time in many respects. Here are five that I think are woefully under appreciated, and deserve more notice, even if they aren’t what I’d call flawless or masterpieces.
Dracula Untold (2014)
DRACULA WEEK
It’s a damn shame that Universal just didn’t have enough confidence in Gary Shore’s treatment of Dracula to warrant it a follow up. “Dracula Untold” is a good enough movie all on its own, but it was also teeming with so much potential for a larger scale sequel that reversed all roles. Where as Dracula is the hero of “Untold” and Dominic Cooper the villain as Mehmed, the Turkish Sultan, it would have been fun to see the descendant of Mehmed, played by Cooper also, as now a law abiding police officer who engages in a new war with the modern version of Dracula. That’s just the writer in me building on head canon, but “Dracula Untold” is a very good interpretation of Bram Stoker’s novel.