It seems like every single year there is always someone paying tribute to Superman. Last year a slew of animators created an amazing life-like model of Christopher Reeve as Superman taking off in to the sky. This year we have “Superman Classic,” a 2011 treat that’s all too brief, but goes down so well nonetheless. In lieu of the upcoming reboot from Zack Snyder, I think this is an apt variation that presents what could be and not what should be, as most fan boys are prone to insisting upon with their fan films.
Tag Archives: Adaptation
Astroboy (2009)
So this “Astroboy” may not be the most loyal and faithful adaptation to its source material, but that doesn’t automatically make it bad. Deep down it has an undertone of sadness and tragedy with some thoughts about afterlife and the meaning of life that we all ponder. Sure, the target audience for “Astroboy” won’t even understand or care about where writers Tim Harris and David Bowers take the story, but at least “Astroboy” seems to try to have something for everyone. I vaguely recall watching “Astroboy” as a kid but I loved the direction David Bowers took the animated movie where Astroboy becomes a hero who just refuses to adhere to the norms of the robot world, especially when pushed in to a corner. As a robot he’s expected to act like a clunky stupid machine, and when he finds that he garners an attachment and new sense of purpose with both man and machine, he decides that he just can’t harm anyone who isn’t posing a danger to the world.
Starship Troopers 3: Marauder (2008)
I really don’t care that Ed Neumeier is behind this. I applaud his history with science fiction cinema and Robocop, but as a sequel and standalone film “Starship Troopers 3” is a terrible film. The satire I can often stomach since it was so much apart of the original film, but the fact that the satire is much too obvious to even call it respectable satire is just much too clumsy at times. “Marauder” is that film in the series many fans were anxious to watch mainly because it’s much more loyal to the novel, but that doesn’t entirely promise entertainment.
Jurassic Park (1993)
Eighteen years ago, Steven Spielberg’s “Jurassic Park” was nearly the movie of the decade. It was a film that sparked the imaginations of millions and garnered one of the more fascinating and exciting films of all time that re-defined CGI for the twentieth century and started a trend among filmmakers. “Jurassic Park” remains one of the most memorable movie going experiences of my life, and paved the way for Spielberg as my favorite filmmaker of all time, and it fueled my interest in dinosaurs. The sight of the halos of water still sends chills up my spine. As a plot device it’s one of most simplistic yet ingenious signs of doom ever created, and as a calling card for the infamous T-Rex, it’s still damn effective.
But is it still dynamic eighteen years later?
Firestarter (1984)
I really do commend Mark Lester for bringing genre fans a film that still holds up to this day. While it’s not at all a masterpiece or perfection, “Firestarter” almost thirty years later is still a really entertaining bit of genre fare that explores the tribulations of a young girl with a natural ability, and the men in her life. Lester’s adaptation of Stephen King’s novel doesn’t just make young Charlie’s powers her own superhuman ability, but in a way implements it to signify her emotions, particularly love and passion. Because deep down “Firestarter” is a love triangle between small Charlie, her father, and her new friend John. At first John is insistent on murdering Charlie, and once he manages to gain her trust and befriend her, his friendship turns in to passion and love.
The King of Fighters (2010)
Hey Vern! It’s Ernest: The Complete Series (DVD)
I’m surprised people are usually stunned when they learn that a commercial spokesman or mascot is being turned in to a potential video game, movie, or television series these days. Upon learning the Cavemen from the popular Geico commercials were being turned in to a television show, people were genuinely shocked. Who can blame them for at least trying for a television show? Sure, it’s a god awful idea (and the show’s oh so brief run on television shows it) but it’s not unlike Hollywood to not pay attention to interesting concepts and aim for some cash flow. Subsequent the success of Pee Wee Herman, the late eighties opened the doors for off the wall and wild entertainment all led by someone completely wacky and not afraid to take risks while entertaining children and adults alike.