When the hacks at Disney decided to release Hiyao Miyazaki’s works on DVD, I was intrigued. I admit I’ve heard very little about Miyazaki and his works, but I was intrigued nonetheless. I’ve seen both “Kiki’s Delivery Service”, and “Princess Mononoke”, but little did I know with these movies were an actual legacy and fan following, so when I heard his films were being released on DVD, I stopped at the store and stocked up on a few of his films. The one I did hear most about though was this, and I was once again intrigued and very fascinated with what the cartoon looked like, and it’s a truly good film.
Tag Archives: Adaptation
The Passion of the Christ (2004)
I believe that the intention of Mel Gibson and this entire production was noble. The idea, that of bringing the relevance of Christ’s sacrifice to the forefront, is something that a lot of people love and identify with. I am an atheist myself, but I believe in many of the philosophies Christ espoused, and I pattern a lot of my life on his tactics and thought. I believe in honesty, truth, martyrdom for good causes, beauty, and most of all, I search for a God with all of my heart and want to find some kind of supernatural existence for us all through writing. That’s the intent of these creators, I am assured. Unfortunately, the best laid plans.
The Terminal (2004)
Anyone who knows me or has even an inkling of what my reviews are like know I love almost everything Spielberg does, and Spielberg manages, through “The Terminal” to create a sense of something that all comedies lack: humanity, and through its humanity, comedy that is all so amusing and likable (I laughed aloud whenever Navorski looked into the surveillance cameras). Spielberg creates a film in the Capra-esque sensibility and it creates human characters that people can love and or feel sorry for in the process. Viktor Navorski is now a man without a country after his beloved country of Krakozhia engages in a coup and war breaks loose. His passport, visa, and anything else he owns are now deemed confederate dollar rendered basically useless. The problem is he can not step foot in America, and he can not go back home, so now he’s marooned in the airport.
Starsky & Hutch (2004)
Unlike “The Brady Bunch”, “Starsky & Hutch” was a show that tried to be taken seriously, but clearly warranted spoofing. I mean seriously, how can you take a cop show seriously when it’s two inept cop characters ride around “undercover” in a very noticeable conspicuous large bright cherry red gran turino? It was a fact that caused many television viewers to make fun of, and it’s also very focused on here with an exaggerated sequence that brought the spirit of the show very well. Now, the teaming of Owen Wilson and Ben Stiller would be very funny to see had it not been the thousandth time they’ve teamed up together as partners as seen in movies like “The Royal Tenenbaums”, and the awful “Zoolander”.
Three Days of the Condor (1975)
Surely, this is one of those obscure classics that people should know more about, and should really talk more about, but alas, it isn’t, and that’s a damn shame. My favorite heroes be it literary, cinematic, or otherwise, were the brainy heroes, and the reluctant heroes, two of which are represented here in this Redford classic about espionage, action, adventure, and government paranoia.
Resident Evil: Apocalypse (2004)
Though the film is clearly lacking in many things, what it doesn’t lack is an opening that is bland. I liked the beginning more than the film as a whole, mainly because it succeeds in setting forth what is about to happen despite robbing us of terror. The opening is very close to what the opening of the remake of “Dawn of the Dead” was except it doesn’t take the same risks and supply the same frantic nihilism, however it does succeed in tension from the workers going back into the hive being overrun by zombies, right down to the calm neighborhood interrupted by a car crash which essentially sets the stage for the “plot” of the missing daughter of the scientist of the hive and fades away to Jovovich in her delicious glory on the stretcher where we last left off from the ending of “Resident Evil.”
Starship Troopers 2 – Hero of the Federation (2004)
What occurs in “Starship Troopers 2” is an odd thing, something that happens very rarely in franchise land. First off, I’ll be the first to admit that the sub-title “Hero of the Federation” makes no sense to me. What is it supposed to mean? Is it supposed to refer to the character Dax? Regardless, I would have preferred something like “Dark Corruption” or something to that effect, something that refers to the plot. What’s odd is, this is so very different from the first film, and that was perplexing to me. I’d read about this movie and about how dark and murky it would be from the original film, but I didn’t expect anything like this. I thought the original film was decent for what it was; a balls to the wall action film without a brain in its head, but I liked it, and I even liked the obscure dark animated series “Roughnecks”, so it’s safe to say the writer strays away from the original formula that made the Verhoeven directed original so successful and decides to take its own route in storytelling.