Annabelle Creation (2017)

2014’s “Annabelle” should have been an easy win. Take one of the most frightening elements from 2012’s “The Conjuring” and give her her own spooky tale about where she comes from and you have another hit. Sadly, “Annabelle” was an ill conceived and silly movie that is given a second chance with another prequel “Creation.” This film goes even further back before “The Conjuring” to where the doll was merely a dormant spirit lying and waiting for fresh souls to exploit.

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The Man in the Iron Mask (1998): 20th Anniversary Edition [Blu-Ray]

Alexandre Dumas’ “The Man in the Iron Mask” is based around one of the most interesting mysteries of all time. The man in the iron mask is an enduring mystery to this day left to whispers and heavy speculation, but the movie from Randall Wallace never actually broaches much of that mystery. In fact, “The Man in the Iron Mask” treads lightly among the 1851 novel’s themes and narrative, in place of what is a mediocre, unfocused movie that is much too long in the tooth.

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Tales From The Crypt/Vault Of Horror: Double Feature [Blu-ray]

It makes sense that Shout Factory would package “Tales from the Crypt” with “Vault of Horror” since both horror films are essentially a part of the same universe, and are adapted from the genius EC Comics brand. In “Vault of Horror” you can even see one of the characters sit beside a stack of EC Comics while turning to continue reading a “Tales from the Crypt” novel. It’s a good thing too since both films are stellar horror anthologies, practicing the tradition of EC Comics’ storytelling formula that involves revenge, irony, plot twists, and turning the tables on characters at every turn. If you can spare the time, these films deserve to be viewed as a double bill, because it’s a master class of storytelling and creeps.

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Venom (2018)

Ruben Fleischer’s cinematic treatment of the Marvel super villain “Venom” feels a lot like it someone was making this movie in 1997, and it remained in the vault for twenty years. Then Fleischer and Sony dusted it off and finished it. “Venom” feels so out of date and ridiculously nineties you can almost expect the home video release to come with a hologram. That might be due to the character of Venom who looks less like an amorphous sentient Alien organism that creates kind of symbiosis with its host, and more like alien Jello that covers its host and causes trouble. The titular Venom is so random and bafflingly stupid, especially in its basic behavior that varies between mischievous, to downright evil. How do we root for a being who tells the film’s hero “Do what I say or I’ll eat your head”?

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Curious George: A Halloween Boo Fest (2013)

Who else can soak in every bit of fun about Halloween than Curious George and the Man in the Yellow Hat? Branching off from the series of short films, “A Halloween Boo Fest” is a perfect celebration of Halloween and autumn that tells quite the interesting story. The Man in the Big Yellow Hat wants to show George his first ever country Halloween, but George ends up getting in to so much more along the way.

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Casper’s Halloween Special (1979)

Also known as “Casper Saves Halloween” and “Casper the Friendly Ghost: He Ain’t Scary, He’s Our Brother,” the titular ghost’s Halloween special is about as rough around the edges as you’d expect from a production from the company from 1979. Around that time Hanna Barbera had absolutely no limits about whom they gave a show to, and Casper took time out of his series “Casper and the Angels” to help save Halloween. As opposed to his short lived series where Casper teamed up with two futuristic space cops. No, really.

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Purple People Eater (1988)

“Purple People Eater” is a movie I vividly remember watching when I was a kid. I’d seen it on a fuzzy VHS tape from a local video store, and suffice to say I hated this movie when I was five, and I kind of hate it now. “Purple People Eater” is from the decade where studios either cribbed from “Gremlins” or “ET” in order to create their own kids oriented cash cow, and “Purple People Eater” is one of the laziest of a sub-genre consisting of “Mac and Me” and “Meatballs, Part II.”

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