Batman v Superman: Extended Cut or Why You Can’t Pour Perfume on a Pig

batmanvsuperman1Pearls. Again. Bruce Wayne’s origin. Again. Joe Chill. I’m presuming. Again. I can still hear the echoes of fan boys rejoicing that “Batman v Superman” wouldn’t be another origin story, and yet director Zack Snyder allows us the thirtieth origin of Bruce Wayne, all for the purpose of squeezing in Bruce muttering “Martha.” Which is his mother. And so a thousand memes were born.

Director Zack Snyder doesn’t allow us the benefit of young Superman or Clark Kent with his mother, also curiously named Martha, because that would make sense. Plus, Snyder never worked with Diane Lane or Kevin Costner. It would be funny though to see Jeffrey Dean Morgan and Lauren Cohan playing John and Martha Kent.

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Everybody Wants Some!! (2016)

everybodywantssomeRichard Linklater is of the philosophy that life isn’t planned out or a sequence of fates colliding, and bad luck giving us misery. For him, life is a series of random events, major and minute that result in pure happiness or pure sadness. “Everybody Wants Some!!” is every bit the drama and comedy masterpiece that its predecessor “Dazed and Confused” was. Not only is it an amazing companion piece to his nineties comedy, but it’s also an examination at the turbulence of youth and how being young has a lot of surprising structure and pressures behind it that can often be so much worse than adults.

Its 1980, Texas, and three days before college. Freshman Jake arrives in his new dorm, preparing to share a house with a group of very rowdy guys. Like them, Jake is a baseball player intent on proving himself on the team. Before the school year begins, and daily practices start in an effort to mold the school’s only winning sports team, Jake is taken along with his team on a three day journey of parties, drinking, and beautiful women. Linklater, much like he did in “Dazed and Confused” follows around a group of young people as they navigate through life and use music and humor to connect with one another and find kindred spirits. Music is the life blood of Linklater’s movies.

If there is such a thing as a soul, music is as close as it gets to Linklater conveying what a soul is, and how crucial music can be to igniting it. Rather than focus on a group of teens at the beginning of the summer, Linklater now follows a group of young adults in their final days of the summer, before they have to accept adult responsibility and give up the carefree days of their teens. The future isn’t as bleak as it was in the finale of “Dazed of Confused,” but the film does act as a requiem to immaturity and just being young, before it all fades away in to careers, obligations, and old age. “Everybody Wants Some!!” is a subtle look at enjoying youth and bidding it a fond farewell, all set to a very random and chaotic comedy that unfolds in to one excellent piece of cinema.

Linklater doesn’t commit to plot twists, cheap deaths, goofy romance, or melodrama, and instead zeroes in on drawing a slew of truly engaging characters, all of whom are blind to race and class, and find a means of bonding three days before school. Like everyone in a Linklater film, they use music to keep each other at eye level, and Linklater celebrates the magic of music. Not only does the film have an incredible soundtrack, but the characters live and breath through whatever music is on in the background, from singing along to “Rapper’s Delight” in a crowded car (a scene that rivals the “Bohemian Rhapsody” scene in “Wayne’s World,” easily), to the group of baseball players seducing young women at a local club with disco music and pop.

Though many will argue that “Everybody Wants Some!!” has no narrative, Linklater’s wizardry is in the seemingly random events that devise bits and chunks of plot, narrative and themes about male bonding, competition, and the thrills summer can offer to anyone open to a new adventure. Like Linklater’s previous films, “Everybody Wants Some!!” is simple, and down to Earth in scope and vision, but brings with it an incredible series of rich and complex characters, wonderful conflict, and yet another bang up soundtrack. I really hope Linklater offers up another follow up to “Dazed and Confused,” completing an unofficial trilogy. Linklater is a mastermind of storytelling who understands youth, nostalgia, as well as seeing the world through a filter where music is the universal language.

You Have to See This! Hardbodies (1984)

Since the sixties were in vogue in the eighties, you could probably build an entire sub-genre of films based on and around beaches. There were so many films revolving around guys trying to get laid in and around beaches, or living in beach houses, that it’s surprising almost every studio thought they’d cash in on this concept. There was even the silly “Back to the Beach,” an all star eighties ode to the classic Frankie and Annette beach blanket bingo comedies. Talk about childhood favorites.

This time around, “Hardbodies” is set during the best beach in the world, where apparently almost every hot woman in America go to, to either roller skate, or scamper around with their friends. The beach is filled with gorgeous women otherwise known as “hardbodies” to the local men, and main character Scotty is apparently the head of the game which involves hunting for women and getting them in bed as often as he possibly can. Scotty, despite being sex hungry, is the hero of the film that transforms from sex comedy, to dramatic romance, to sex comedy again and again you’ll likely feel confused toward the finale.

Scotty is a slacker and ladies man who roams the beach with his best friend Rag looking to score with gorgeous women. They’re called “Hardbodies,” and he’s more than successful in bedding his fair share of beach bunnies. After being kicked out of his apartment by his ruthless landlord, Scotty luckily meets three middle aged men who hire him to get them in to hot parties and hook them up with as many gorgeous women as he can. All seems to be going well, but when Scotty begins falling for sexual conquest Kristi, he’s torn between endless one night stands, or being in his first real committed relationship.

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Scotty is your typical smooth talking slacker from the eighties, who spends most of his time running around the beach and trying to talk women in to bed with him, along with his best friend. He is also a part of the beach’s patrol, so he’s in charge of throwing out riff raff and helping other people have a good time. He even craftily throws out a group of perverted losers by siccing a biker gang on hem.

Partying of course doesn’t do much for his lifestyle, as Scotty is about to be kicked out by a merciless landlord that is more than happy to kick him out on his butt. Just Scotty’s luck a trio of middle aged businessmen has moved in to a local beach house and wants to have a good time and are willing to hire Scotty for the chance at tail. Scotty begrudgingly agrees and spends a good portion of the movie trying his best to hook the trio of men up with gorgeous women, all of whom have some sort of motive for the swingers.

This involves a ton of montages of the men hitting on beach bunnies and often bungling in their attempts, and throwing a wild party that involves a large amount of topless shots and sexual innuendo that is quite entertaining. At one point Scotty invites a tall gorgeous aspiring model to meet an agent at the party, and despite her anger at his lie, he convinces her to go to his room and take pictures anyway. Soon enough a crowd of women are in Scotty’s room competing for photo ops, apparently for the chance to be featured in the dictionary next to the word “Gullible.”

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You could sum up the movie in one simple sentence, but “Hardbodies” has a lot of plot to it, and a ton of sub-plots that the writers work hard to resolve with enough believability. Along with Scotty working with the trio of men to get them laid, he’s also committing to Kristi, an intended one night stand he begins falling in love with. He also tricks a female rock band in to playing his party and falls in to success when the band garners interest from a professional promoter.

There’s also a large amount of focus on one of the older men Ashby, who begins a raunchy affair with kinky Michelle (as played by the obscenely sexy Kristi Somers), that transforms in to a romance. Their sub-plot contributes to a lot of the better moments of “Hardbodies,” including her bouncing on him while he’s half asleep, and a very heavily implied oral sex scene.

One of the banner scenes involves Michelle challenging Ashby to keep playing his guitar while she commits to her “act,” resulting in a rather hilarious reaction from him as he struggles to finish his guitar melody. If that’s not enough there’s another fun sub-plot with Courtney Gains, who plays Scotty’s loyal best friend Rag. Rag is your typical eighties goofball best friend who spends most of the movie also trying to get laid, and eventually manages to win the heart of a woman.

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“Hardbodies” goes off the rails mid-way in favor of Scotty’s fight to keep his relationship with new girlfriend Kristi. After constantly striking out and harassing a girl to the point of sexual assault, the leader of the middle aged trio Hunter, gets in to a fight with Scotty and makes a play for Kristi. Soon enough, Hunter and Scotty are at war with one another for Kristi’s heart, and Scotty begins striking back at the player with a series of carefully orchestrated pranks that do him in.

While the endless sub-plots set up do make “Hardbodies” needlessly crowded with story, it revels in its simple premise based around getting women naked as often as possible, and featuring a lot of “hardbodies” walking around for the camera. We also get some past storylines showing up in the goofy climax, involving the skuzz bag beach crashers from the first half of the movie. We even get an obligatory old woman fainting at the sight of her naked middle aged son posing for the women in the party.

As an added bonus there’s the liberal use of the original “Partytime” by 45 Grave.

There was apparently a “Hardbodies” sequel set in Greece, but since it was IMDB Bottom 100 fodder at one time, I doubt I’ll get to it any time soon. For pure 1980’s raunchy beach blanket nonsense, though, there’s at least 1984’s “Hardbodies.” You’d be a fool not to respect the film’s trademark hot rod water bed.

     

The Shallows (2016)

shallowsJaume Collet-Serra‘s survival thriller feels like a movie that was written in 1980 and just now saw the light of day as a vehicle for Blake Lively. It doesn’t have any of the beaming self importance of “Open Water” or “127 Hours,” which makes it a lot more fun than it has any right to be. Lively is gorgeous and charming as American tourist Nancy Adams, a medical student still reeling from the death of her mother after a long losing battle with cancer. Taking a hiatus from work and all of her responsibilities, she travels to Mexico to relax and surf on the beach. While waiting for some waves, she’s attacked by a massive shark that knocks her off of her board, and leaves her to plunge in to the tide where she cuts her leg open, hobbling any and all efforts to swim back to shore.

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Adventures in Babysitting (2016) (DVD)

AdventuresInBabysittingDVDWhat a difference from 1987 to 2016, isn’t it? In the original “Adventures in Babysitting,” our intrepid heroes led by their babysitter are evading a group of car thieves anxiously trying to get back their notes that they scribbled on a playboy that one of the characters stashed accidentally. Here, the group runs afoul two inept pawn shop clerks that want the camera character Lola has after taking a picture of their illegal exotic animal. Disney’s newest stars Sabrina Carpenter and Sofia Carson are charming in their co-starring roles as high schoolers competing for a photography internship.

Both girls end up in a variety of misadventures as babysitters caring for a small group of rambunctious kids after a cell phone mix up. Over the course of the night, they cross criminals, mean car towers, and even have to talk their way out of a police station when they’re accused of committing a crime. They now have to get their car back home before midnight hoping to beat the parents of their charges home. While I’d still watch Columbus’ original with my family, Disney takes great lengths to tone down a lot of the menace and hazards from the original. This means no college party, no drunken girl hitting on one of the characters, no gang war in a train, and no one mistaking one of the babysitters for a Playboy centerfold.

Considering co-star Sabrina Carpenter is barely eighteen, that’d be painfully creepy, so that’s not a huge omission, all things considered. That said, “Adventures in Babysitting” is a solid diversion with some neat adventure and antics, even if it isn’t one of Disney’s best original films. It garners solid performances, kid friendly antics, and includes a lot of its own twists on the original film’s events, including a huge chase through a Laundromat, and an impromptu performance that results in a rap battle. With Disney Channel Original Movies, you have to take the good with the bad, and thankfully this remake offers a lot more good than bad.

It’s certainly better than “The Descendents.”

The DVD only comes with a two minute blooper reel, and a fridge magnet that doubles as a picture frame and a check list for babysitters. Frankly, I’m surprised Disney didn’t make a bigger deal out of their one hundredth television movie for this home release. If you’ve watched the Disney Channel for the last three months, they’ve had behind the scenes segments, interviews with Sabrina Carpenter and Sofia Carson, a music video with the pair, and a “making of” with the pair recording the film’s theme song.

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Return of the Killer Tomatoes (1988): Special Edition [Blu-Ray]

ROTKTGood God, it’s usually around the fifth movie in a horror series where the writers start poking fun at themselves, not the first sequel. John Astin is a mad professor named Gangreen who is secretly engineering tomatoes to be able to transform in to humans set to various genres of music, and plans to unleash another invasion on the world. Ten years after the events of “Attack of the Killer Tomatoes,” tomatoes are outlawed and anyone that is found with them is arrested. So naturally the big joke centerpiece of the film is that we follow a young pizza delivery man named Chad who helps operate a pizza place that uses every ingredient except tomato sauce.

Chad, who constantly makes deliveries to Gangreen’s mansion, is in love with his assistant Tara, who happens to be a tomato. When Tara escapes Gangreen’s clutches due to him attempting to kill a fuzzy tomato mutant, Tara seeks Chad’s help. Meanwhile Gangreen goes looking for her with his muscle bound killer tomato commandoes. “Return of the Killer Tomatoes” is one of the very few meta-science fiction comedy spoofs that sometimes don’t even seem to try to tell a story. It’s a movie so tight on budget that there are never actually any rampaging killer tomatoes here. This is more a romantic comedy with a Frankenstein twist involving a killer tomato that can turn in to a hot woman, who begins falling in love with a normal pizza delivery man.

It’s almost like tuning in to watch “Friday the 13th” and only see people talk about Jason Voorhees, and never actually seeing him on screen at any point. “Return of the Killer Tomatoes” spends a lot of time spoofing its own premise that it never actually takes the time out to unfold a narrative. That doesn’t make the film terrible, but it does hinder any efforts director John De Bello has to aspire toward the comedic lengths of “Airplane!” Characters break the fourth wall, co-star George Clooney breaks character, and there’s even a gag involving product placement. It comes out of nowhere and is blatantly tacked on, but it is quite a funny segue, all things considered.

Every cast member works in different wave lengths in the film, with Starke playing his character as goofy as possible, while Clooney is mostly a straight man who tries tongue in cheek comedy every now and then. Astin is nearly loses teeth chewing the scenery, and his comically uneven turn is quite the attraction. “Return of the Killer Tomatoes” could very easily have been an awful film, but its sheer relentless absurdity and embracing of its low budget compensates for the fact that there aren’t really any killer tomatoes in the film.

Along with a reversible slip cover, there’s also a new interview with star Anthony Starke, who discusses his experiences working with George Clooney. True to form, Clooney was a prankster on set, and the pair had a good time partying. There’s a two minute still gallery, the original theatrical trailer, and a thirty second TV Spot. Finally, there’s a brand new audio commentary with writer and director John De Bello who, with host Michael Felsher, discusses his history with the movie series, and how he went about making the film on such a miniscule budget. This is an informative commentary with some fun anecdotes.

Adventures in Babysitting (2016)

AdventuresinBabysitting2016“Adventures in Babysitting” was a highly talked about remake being developed over the course of half a decade, as there were talks of a big screen release with Raven-Symone starring, then Miley Cyrus perhaps taking on the lead. After years in gestation, it was finally dropped on to the Disney Channel as their 100th Original movie. Sure enough, now that Symone is a self-parody, and Cyrus is doing her own adult things, Disney hands the notable remake over to two of the current Disney stars Sabrina Carpenter, and Sofia Carson. Disney has been very good about casting their films for the last decade, so Carson and Carpenter aren’t just talented, charismatic actresses, but also attract their own loyal fan base.

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