While “Return of the Jedi” has its legions of fans, it’s also a film that helps support the idea that third parts of film series are usually terrible. While “Return of the Jedi” is not the worst movie ever made, it’s a flimsy, and pandering final installment to a series that started off quite well. It’s very well documented that by the time “Return of the Jedi” came around, director George Lucas was a millionaire thanks to merchandise, and he used “Return” as a means of selling even more toys. Thus characters come back through contrived manners, villains are offed in the goofiest ways, and Lucas follows up his dark and mature “Empire Strikes Back” in favor of a more watered down film starring knee high teddy bears.
It’s not often the heart and enthusiasm for a genre can carry over in to an indie production. “Sins of the Dragon” is obviously made by people who have a love for the martial arts and action genre, and thankfully they turn that love in to an entertaining and very creative short fantasy thriller about redemption, and traveling warriors.
While Charles Band and Moonbeam films tend to be silly on occasion, they’re hardly ever bad. “Leapin Leprechauns” was goofy but fun and while “Dragon World” can be occasionally silly, it’s kind of a fun film in its own right. It’s a version of “King Kong” that doesn’t really opt for violence, so much as it tries to tell a story about friendship. Director Ted Nicolao obviously has little budget for the film, so when we see the film’s creature Yowler the Dragon, most times it’s only just his head and most of his neck. On long shots it’s claymation super imposed over live action footage.
Director Steven C. Miller offers horror fans something of an extension of “Little Monster” where he sets the entire film around two brothers battling the monster under their bed. When older brother Paulie’s brother is kidnapped by the monster, he takes on the beast and torn limbs begin to fall every which way. “Under the Bed” thankfully garners something of an interesting exploration of the monster under the bed, and how it’s not only alive thanks to the children, but because of the inherent anger from familial tensions.