Directed by Roland Emmerich
Written by Dean Devlin, Roland Emmerich
I can criticize his movies all I want, but Will Smith makes money out the ass, and most times without even trying at all. He can star in a bastardized remake of a classic Western show, a bastardized adaptation of a science fiction novel, or a bastardized adaptation of a classic horror novel, and the man will still bank about a billion dollars easy. Take “Hancock.” Wow. But one thing that I’ve alwys found ridiculous was that Roland Emmerich and Dean Devlin expected us to believe that these aliens have every capability to defend themselves against our forces from electromagnetic waves, lasers, bombs, and missiles, but they couldn’t protect themselves against a super virus? And it takes one virus to bring down their defense systems? Doesn’t that contradict their whole advanced technology strategy? And if they could communicate telepathically, wouldn’t it stand to reason they would operate their machines telepathically? And since when do jets travel as fast as alien technology?
It was probably a god send that “Legion” was cancelled, because three seasons in, the series was making very little progress in the way of storylines. With the constantly shuffling characters, and tonal changes, “Legion” could never really decide what it wanted from audiences, and the addition of Chameleon Boy shows that. His sudden introduction in Season Three with his smart ass personality left the show feeling painfully uneven as most of the characters felt very self aware and stern while Chameleon was often spouting one liners and nothing else.
It used to be a simple case of “If you don’t like it, don’t watch it.” Hell, if I don’t like a show, I just don’t watch it, but hear me out. With “Smallville” it’s different. At one time it used to be an excellent show, one that promised to be all about Clark Kent and his transformation in to Superman. Then somewhere on the fourth season, it was sold down the river and this show about Clark became a show about everyone else but Clark. I’m a hardcore true to the blood Superman fan and it’s not as easy as “If you don’t like it, don’t watch it.” I still sit and endure “Smallville” to this day because I pray and hope that it will return to its former glory of being about something.
One of the more entertaining moments of “Next Avengers” involves the eventual emergence of the Incredible Hulk from the eccentric form of Bruce Banner, now a scientist in hiding. Watching the Hulk smash these cheesy robotic copies of the avengers was quite cathartic, and it’s also refreshing to see the team stick to the mold of Ultron as we know him, a corruptible and despicable technological force who will prove to the be prevalent menace if a series pans out. I also really enjoyed watching the original Thor talk to his daughter Torrum in the climax; it’s a surprisingly touching moment that may sell me on watching this with my nephew.
The world is in shambles. The country is on the brink of depression. Millions are out of work. Violence is now considered entertainment. Convicts are now reduced to television stars for our own sick amusement. And we’re now on the brink of revolting against a corrupt disgusting government run by a madman. But enough about modern times, right now we have “Death Race”! A film that barely covers any of those issues beyond using it as a back drop for the basis of the death racing, where as Corman’s original was so ahead of its time, it perfectly encapsulates what this generation is all about and it was made in the seventies!