Tag Archives: Adventure

Mirrormask (2005)

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mirrormask-movie-2005“Dreams only get you so far. And then you need cash.”

When “Pan’s Labyrinth” was released last year, it was shortly compared to “Mirrormask” the basic story of a dreamy young girl who is pulled into a fantasy world. Gaiman’s fantasy masterpiece sadly only experienced a limited release in the US with a quick DVD release that fooled many in to thinking it was another ho-hum fantasy installment vying for classic status, but if you look for it it’s a basically incredible and understated bit of cinematic fantasy fare only Gaiman could have delivered. But thankfully that comparison to Del Toro’s film was very short lived. In the end, I prefer “Pan’s Labyrinth” but that’s not to say “Mirrormask” isn’t without its sheer strengths.

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Shrek 2 (2004)

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The question always is: was there really a need for a sequel? The answer is no, but when there’s money to be made, Hollywood will do anything to make sure there’s another film no matter how pointless, or awful if it’s mildly successful. I liked “Shrek”, I thought it was a one of a kind animated comedy that was actually funny. Then I watched “Shrek 2” and was appropriately disappointed. I went in to this movie with a lot of optimism because I liked the original film so much, but this was just a lagging effort, and it becomes painfully clear within thirty minutes in this movie that the producers and all the stars got big fat pay raises to come back for this.

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Stan Lee Presents: The Condor (2007)

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thecondorWhat Stan Lee has basically done here is create his very own Spider-Man. With the Condor, we have a basically privileged young man whose life is really in need of a boost. When his parents die, he is rendered basically crippled after being attacked, and becomes a superhero. One that talks the villains to death to piss them off. The Condor is basically the equivalent of the Spider-Man rogue Rocket Racer with a mixture of that lame superhero from the nineties: MANTIS.

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Stan Lee Presents Mosaic (2006)

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stan_lee_presents_mosai“Mosaic” lured me because, well, anything these days that doesn’t look like quasi-anime made just gets a pass with me, and “Mosaic” gets a pass for looking like honest to goodness animation. “Mosaic” is made up to look like a moving comic book. Wherein the recent Marvel cheap-o cash-ins, “Mosaic,” from Stan Lee’s Company “Pow” entertainment, seeks to be unique, while also possessing the same novelty of a comic, fonts and all. But don’t let the animation fool you, it’s not something I’d suggest for anyone under fifteen, basically because watching the villain break a guard’s neck, was something that drew a furrow of the brow. But hey, the writing by Scott Lobdell paired with Anna Paquin’s name really drew me to this fantasy actioner, I must say.

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Aquamarine (2006)

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It’s hard to really deny that Jojo and Emma Roberts have an interesting chemistry. Had the writers chosen to make “Aquamarine” a down to Earth glimpse at friendship with a mermaid, and turned away from the sickening fluff, there could have been something very emotional and clutching. But in the end, it’s really just a typical on-screen friendship. The girls are bubbly, and boring, and Roberts is your typical geeky character, etc. There’s one interesting sequence in which the two argue and bring about issues that are never confronted in the film. And I sat there wondering why the hell this was never brought up with a lengthier and complex scope. For a film that claims to be about friendship, it’s sad we didn’t see more of the depth available with the two main characters here. Jojo and Roberts’ chemistry is charming to watch, and I didn’t despise watching them yammer back and forth. Meanwhile, I could have done with more scenes featuring Arielle Kebbel as the obligatory bitchy character because… well, Kebbel is gorgeous. Need I say more?

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The Invincible Iron Man (2007)

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 You have to give it to Marvel Comics. While DC refuses to allow certain freedoms to separate properties of their characters for fear of “confusing fans” and undermining our intelligence, Marvel Comics openly allows their characters to be portrayed in different mediums. Even with a big budget film adaptation in the works, with Robert Downey Jr. starring, and John Favreau directing, they still allow this animated adaptation to be released to fans. Because, we can tell the difference. We just can. We’re not as dumb as WB and DC perceives us to be. One of the better improvements upon the Iron man animated film is that it bears no real connection to the previous “Ultimate Avengers” series of films. Meanwhile, the story of Tony Stark and Rhodey is played with a level of espionage and suspense of your typical spy film, shying away from any sort of camp. Here Stark is hardly ever referred to as Iron Man, and the character is more of a presence, and less a superhero.

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The New World (2005)

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new_worldThe story of Pocahontas just isn’t interesting. There’s nothing about this pseudo-historical tale about a young woman who became civilized that attracts it to me. With “The New World,” there’s no new angle presented to the audience, no new exploration of other characters, and the soapy drippy romance is still present and accounted for. “The New World” just didn’t live up to the hype that preceded it, and that’s because Malick anxiously looks for a new method of telling this yarn and pretty much never achieves his goals in that respect from the get go.

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