Form of Sexy Hispanic!
Shape of Comic Fan Boy!
I loved “Superfriends.” It cashed in on the Scooby-Doo franchise by giving us two human teen characters and an annoying dog, and also introduced some of the stupidest superheroes of all time like Apache Chief, and the Wonder Twins. Ah, the Wonder Twins, a product of the disco era with a bit of “Xanadu” and pure retardation thrown in for good measure.
It’s typical of Hollywood. You take probably the only entertaining aspect of the last Jim Carrey movie that was basically thinly veiled religious propaganda about the pressures of being God, and how much people depend on you, and you expand upon it until it stops becoming funny, and then pretty much just run it into the ground with even more blatant religious propaganda and preaching than the first installment. Steve Carrell plays Evan Baxter, the obligatory antagonist from “Bruce Almighty” who is now a US Congressman. As he moves his family to Washington, and discovers his congress duties are interfering with activities with his needy wife and spoiled children, God comes knocking at his door forcing him to build him an arc. What happens if Evan refuses? Well, God pesters, and annoys, and the pretty much just frightens him at every turn with his insurmountable power. That’s God for you. Do what he says or you die.
“The Bourne identity” took me by surprise; it was certainly a most welcome surprise. “The Bourne identity” and “The Bourne Supremacy” are two different movies, and the Jason Bourne from both movies are different people. Now here, he’s no longer a man discovering his past, now he’s just a man struggling with it and the severity of his crimes and deeds he performed as Jason Bourne, he’s a ghost of the past struggling with his unforgiving demons of his past, and he’s a ghost who can not escape them no matter how hard he tries.
“Doogal” is basically representative of everything that’s wrong with CGI animation. Everyone is out to be as hip as possible and mimic the success of “Shrek,” that they lose touch with story, characterization, and plot elements the audience can enjoy. I always tend to give the animated films the benefit of the doubt and half the time I’m rewarded. “Doogal” was punishment. It has all the basic principles of a kid’s film but no idea how to get in touch with the heart animation should have. There’s the rabbit Jimmy Fallon singing “You Really Got Me,” and the leader of the land watching the landscape while “It’s Magic” blares in the background. By the time the eighteenth pop culture reference was spewed out in the first ten minutes, I was ready to pack it in.
The audience for “Silver Hawk,” will be split in two groups. One group will despise it for being the usual fluffy science fiction blockbuster malarkey, while the other group will enjoy it for the guilty action and camp. And you can’t really blame either for their thoughts. Michelle Yeoh’s actioner “Silver Hawk,” makes no bones about itself. It’s a really ridiculous and utterly moronic action film. You can see that by the fact that only within a minute the action begins without much preamble to recollect. Silver Hawk leaps over a bridge on her motorcycle and gets to work. Like a “Matrix” fan girl, Lulu Wong is a vigilante who, with her silver outfit, sneaks around stealthily, dons some odd sunglasses, and kicks the asses of anyone who dare confronts her during a mission.
You just have to appreciate Paramount’s willingness to continue the “Mission: Impossible” franchise in the face of lackluster stories, with very good directors who fix the series to their own styles, yet keep the spirit. There was Brian DePalma’s overrated and cerebral original installment, then John Woo’s brainless, nonsensical but fun sequel, and now, as a last ditch effort, we have J.J. Abrams, creator of one of the most popular spy shows of all time, “Alias.” They have the right idea in mind. Spy movie, recruit spy show director. Voila. Instant magic. Instant magic? Not particularly.
Season Seven with the Duke Boys found the audience corralled with the likes of Mr. Tom Wopat, and John Schneider as the Duke Boys taking on all sorts of bushwhackers and whatnot narrated by Mr. Waylon Jennings. “The Dukes of Hazzard: The Complete Seventh Season” has a dedication to Mr. Jennings and a music video featuring the three stars, but the series is where the following will take pure satisfaction.