The Master of Disguise (2002)

Despite being panned by critics and landing at number — on IMDB’s worst 250 movies of all time, this is not awful. Considering all the horrible teen sex romps, this is a tolerable movie. Dana Carvey tries his hardest at forming these near flawless impressions of Al Pacino from “Scarface”, and (my favorite) Robert Shaw from “Jaws”.

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National Lampoon's Van Wilder (2002)

National_Lampoon_presente_VOut of all the bad teen sex campus romps, to the classics, this has to be the worst most putrid piece of trash I’ve ever seen. This poor excuse for a comedy features the same old tired clichés we’ve seen from other sex romps except everything falls flat here. After about ten minutes into the film, I could tell the writers were scratching the bottom of the barrel with basically nothing to write in to the story. They even begin resorting to desperate measures by showing a butt shot of Merriman. Then there’s this far-fetched storyline that goes nowhere. How is it he’s able to rent a hall and hire his own employees? How is it he’s able to drive a personalized golf cart around campus when other people are walking? How is it he’s able to walk in and out of classes without the teacher’s complaining?

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Bad Company (2002)

2484-3There’s a problem I have with this movie that I think the filmmakers over at Jerry Bruckheimer’s company can never fix: Keeping this movie from being made. If I could turn back time and prevent this disaster, it would make my life a lot more complete. Folks, this is probably one of the worst films I have ever seen in years, a travesty of filmmaking that drags on for two hours like Chinese water torture and never eases up. The screenplay by Jason Richman and Michael Browning is ridiculous because we have a spy, who is good, he dies, and what? You mean he has a twin brother? How convenient.

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The Sweetest Thing (2002)

indexThe only reason I decided to watch this film was Cameron Diaz, because of the fact that every movie she’s in, she plays a likeable character. She’s likeable even in the putrid “Charlie’s Angels”. So, in the movie her character is very loveable and charming while being sexy and seductive. The rest of the supporting cast is very good and enjoyable characters; especially Selma Blair who, though under-used, is a very funny and quirky character. The problem with this is that, the movie plays out into a row of constant painfully unfunny and unrelated comedy skits starring all the characters.

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Terminator 3: Rise of the Machines (2003)

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After “Terminator 2,” they were able to prevent Judgment Day but John still feels uncertain to his future. Now, a brand new sleek, tough, and advanced killing machine known as T-X has landed on Earth in the form of a seductive woman and is out to kill twenty people who will help with the rebellion. The Terminator lands on Earth as well and must protect John and a new character Kate Brewster a veterinarian who will play a role in the war. Now, they must travel to Skynet and prevent the machines from rising while they clash with T-X. Can they stop the war? Or is it all inevitable?

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Ice Age (2002)

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I was very skeptical about watching this at first. Usually, animated movies rarely ever keep me entertained, but this one certainly surprised me. I was in tears laughing as I watched these great characters go on a wacky mission to take this baby home. The banter between the three is top notch as they all give great dialogue along with excellent character depth. At one point, the threesome must take on a herd of karate fighting Dodo birds as they try to get the baby a melon to eat. In a sequence that had me practically falling to the floor laughing, the movie spoofs sports flicks as Sid must tackle Dodo’s in his path in slow-motion. I don’t want to give a lot away, but suffice to say, I could barely stop laughing.

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Equilibrium (2002)

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If I was to explain this movie to someone in one sentence it would be this: “George Orwell meets John Woo”. I thought about Orwell he’d probably approve of this film. The center for which all the soldiers come from is called “Equilibrium” or balance as it is layman’s terms; they’re all injected with an opium drug that they carry that numbs their emotions and sense of guilt while they’re controlled by the heavily armed heavily secure government facility. Paired with incredible direction and writing by Kurt Wimmer and sleek stylish cinematography by Dion Beebe, we’re given a glimpse into a world that’s still imperfect despite it being under control.

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