Five Favorite “The Lord of the Rings” Characters

This week Amazon released their first image for the upcoming “Lord of the Rings” series. In what I assume they hope will fill the hole “Game of Thrones” left in its wake, the new series is promising to be epic in scale and (hopefully) continue the stories of J.R.R Tolkien’s Middle Earth, as well as re-invigorate the property for fans (I saw all three films when they debuted in theaters) that were left disappointed by “The Hobbit” prequels.

In celebration, I listed my five favorite characters from the Peter Jackson “Lord of the Rings” trilogy.

If you have your own choices, feel free to let me know in the comments!

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Flight to Mars (1951): Special Edition [Blu-Ray]

Well, say what you want about “Flight to Mars” (reaching its 70th anniversary this year) but damn it, they make good on their promise in the title. There is definitely a flight to mars. It’s just a long, drawn out, monotonous, tedious flight to mars involving four boring male characters and one woman whose duties involve getting aggressively hit on by the spaceship’s captain, taking notes, and making the men coffee.

In Sp-a-a-a-a-ce!

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Mortal Kombat (2021) [Blu-Ray/Digital]

Despite being one of the most violent games ever released (of its time), in the nineties studios worked hard to water down the series for a younger audience. With that, they effectively killed off any cinematic prospects for over twenty years after 1997’s embarrassing “Mortal Kombat: Annihilation.” Now in 2021, Director Simon McQuoid brings us a new vision for “Mortal Kombat” that’s faithful in many respects, and embraces the gore and grue of the original games. It’s not a perfect movie by any stretch, but it’s a damn good martial arts fantasy when all is said and done.

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Space Jam: A New Legacy (2021)

It’s kind of ironic that the villain of the sequel to 1996’s “Space Jam” is named Al G. Rhythm, the physical manifestation of an algorithm who decides the fate of not just star Lebron James but of the Looney Tunes. “A New Legacy” (Or “Space Jam 2”) feels like it was directed not by a person, but a committee of people that followed algorithms about what was appealing to modern audiences, and what was “hip.” The film doubles as a two hour EPK for the HBO Max Streaming Service. “A New Legacy” premieres on the aforementioned streaming service (and theaters), so Warner takes full advantage of exploiting every single (repeat: every single) IP that they have at their disposal.

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Black Widow (2021)

After waiting almost two years (with three delays) for “Black Widow,” there’s something poignant about its entire tone and the time of its release. With Scarlett Johansson leaving the MCU and the series moving on, “Black Widow” is a wonderful epilogue that fills in the holes about Natasha Romanoff once and for all. Natasha was always something of an enigma who we could never really make up our minds about, and the long overdue solo movie gives us the definitive look in to the life of a pretty noble heroine.

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The Time Guardian (1987) [Blu-Ray]

Brian Hannant’s “The Time Guardian” is about as vintage straight to video science fiction as it can get. It’s a low budget, serviceable genre entry with a hodgepodge of (what feel like) recycled concepts that never quite gel together, and sadly never comes together even by the time the climax rolls around. It’s “Back to the Future,” “Battlestar Galactica,” “Star Wars,” and “Terminator” all rolled in to one big Ozploitation mélange. At its best it’s only kind of charming in fleeting moments; at its worst, it’s absolutely dull late night cable fodder.

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Willy Wonka & the Chocolate Factory (1971) [4K UHD/Blu-Ray/Digital HD]

Celebrating its 50th anniversary June 30th of 2021, “Willy Wonka & the Chocolate Factory” is a movie that hasn’t aged since 1971 and shows no sign of aging any time soon. Even with the Tim Burton second adaptation and the upcoming prequel, Mel Stuart’s cinematic version of the Roald Dahl fantasy book still remains on the top of the heap. Even looking at it without nostalgia lens, the Gene Wilder fantasy is excellent in every sense of the word, while Wilder’s titular performance is unrivaled.

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