Mortal Kombat (2021) [Blu-Ray/Digital]

Despite being one of the most violent games ever released (of its time), in the nineties studios worked hard to water down the series for a younger audience. With that, they effectively killed off any cinematic prospects for over twenty years after 1997’s embarrassing “Mortal Kombat: Annihilation.” Now in 2021, Director Simon McQuoid brings us a new vision for “Mortal Kombat” that’s faithful in many respects, and embraces the gore and grue of the original games. It’s not a perfect movie by any stretch, but it’s a damn good martial arts fantasy when all is said and done.

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Space Jam: A New Legacy (2021)

It’s kind of ironic that the villain of the sequel to 1996’s “Space Jam” is named Al G. Rhythm, the physical manifestation of an algorithm who decides the fate of not just star Lebron James but of the Looney Tunes. “A New Legacy” (Or “Space Jam 2”) feels like it was directed not by a person, but a committee of people that followed algorithms about what was appealing to modern audiences, and what was “hip.” The film doubles as a two hour EPK for the HBO Max Streaming Service. “A New Legacy” premieres on the aforementioned streaming service (and theaters), so Warner takes full advantage of exploiting every single (repeat: every single) IP that they have at their disposal.

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Black Widow (2021)

After waiting almost two years (with three delays) for “Black Widow,” there’s something poignant about its entire tone and the time of its release. With Scarlett Johansson leaving the MCU and the series moving on, “Black Widow” is a wonderful epilogue that fills in the holes about Natasha Romanoff once and for all. Natasha was always something of an enigma who we could never really make up our minds about, and the long overdue solo movie gives us the definitive look in to the life of a pretty noble heroine.

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The Time Guardian (1987) [Blu-Ray]

Brian Hannant’s “The Time Guardian” is about as vintage straight to video science fiction as it can get. It’s a low budget, serviceable genre entry with a hodgepodge of (what feel like) recycled concepts that never quite gel together, and sadly never comes together even by the time the climax rolls around. It’s “Back to the Future,” “Battlestar Galactica,” “Star Wars,” and “Terminator” all rolled in to one big Ozploitation mélange. At its best it’s only kind of charming in fleeting moments; at its worst, it’s absolutely dull late night cable fodder.

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Willy Wonka & the Chocolate Factory (1971) [4K UHD/Blu-Ray/Digital HD]

Celebrating its 50th anniversary June 30th of 2021, “Willy Wonka & the Chocolate Factory” is a movie that hasn’t aged since 1971 and shows no sign of aging any time soon. Even with the Tim Burton second adaptation and the upcoming prequel, Mel Stuart’s cinematic version of the Roald Dahl fantasy book still remains on the top of the heap. Even looking at it without nostalgia lens, the Gene Wilder fantasy is excellent in every sense of the word, while Wilder’s titular performance is unrivaled.

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F9 (2021)

The only thing worse than a bad action movie is a boring one; even with the “Fast and the Furious” series now reaching that point where it’s becoming self-aware and self-satirical, Justin Lin’s penultimate entry in to the long running movie series is terrible. I rarely see action movies with so much noise and activity that put me to sleep, but lo and behold, “F9” pulls it off. This is a movie that throws everything but the kitchen sink at audiences, bringing in the cast from “Tokyo Drift,” Helen Mirren and Kurt Russell for brief walk on roles, and jumping through hoops to explain away the big plot holes with something vaguely resembling logic.

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Pungo: A Witch’s Tale (2020)

The witch of Pungo legend is interesting enough on its own, but when all was said and done, I don’t know if it warranted a movie. Director Cook uses the legend vaguely as a means of setting the stage for a larger scale narrative, as well as paying tribute to Virginia. In fact, the Virginia born director casts all Virginia based actors. It’s an admirable aspect to a movie that sadly falls apart and feels confused both in tone and genre. By the time the climax rolls around it never really makes up its mind.

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