When I was a kid, there were two shows I would watch that always scared the bejeesus out of me. There was “America’s Most Wanted,” and then “Unsolved Mysteries.” With the latter, CBS had created what is still considered one of the definitive series of the eighties and nineties. The precursor to the true crime documentary, “Unsolved Mysteries” was a series has often been imitated but never quite duplicated. While “Unsolved Mysteries” has been popularly known for dealing in true crime, “Unsolved Mysteries” reached for a lot more.
Tag Archives: Biography
The Beanie Bubble (2023)
There’s something interesting about the influx of films about capitalism and massive corporations being tailored as approachable biopics. I’ve said it before and I’ll say it again: this growing sub-genre of corporate/consumerism biopics feels slimy and calculated. These aren’t movies so much as they are commercials and often cheerleaders for the idea of humanizing faceless corporations and “average” CEO’s whose life literally depends on a business decision. Despite some interesting aspects to it, “The Beanie Bubble” is yet another dose of corporate capitalism being lionized in a big budget, star studded movie. “The Beanie Bubble” is vaguely about the Beanie Babies craze of the 1990’s, but it’s a mostly fluffed up, mostly fictional account of Ty Warner and how he went from billionaire to has been seemingly overnight.
Tetris (2023)
That’s the thing about this trend with movies based around telling the story of these milestone products: We either get a movie that should just cut the middle man and be a documentary (“Air”), or we get something so completely sensationalized/fabricated that it’s not even really worth watching anymore (“Flamin’ Hot”). With director Jon S. Baird’s “Tetris” I tuned in to see a movie about the creation and acquisition of the iconic video game. Instead what I got was a pretty vanilla espionage thriller about the KGB, spies, terrorists, politics, and warring companies fighting over contracts and whatnot. Exciting…
King On Screen (2023)
The best thing about “King on Screen” is the prologue by Daphne Baiwir which finds her walking in to a shop called the “Creepshop” where she hopes to show a painting she’d purchased. The setting, the characters, and the items in the shop are all subtle visual and verbal references to Stephen King and elements of Stephen King’s stories. It’s something that hooked me in right away and I quite loved the entire effects of Baiwir being savvy to King enough to deliver something of an ode to King. It compensates for “King on Screen” which, in its root, is another basic talking head documentary.
Oppenheimer (2023)
Christopher Nolan has an eye for spectacle and an eye for scale, and he evokes worlds that are massive and almost always on the brink of destruction. With “Oppenheimer” ambitiously ventures in to a more personal film that is a lot about power and a world almost always on the brink of destruction thanks to man delving deep in to the power that they are capable of. Nolan trades spectacle for a more personal albeit just as intense dramatic thriller about “Father of the Atomic Bomb” J. Robert Oppenheimer, the scientist that invariably opened up a Pandora’s Box with his hand in the Manhattan Project.
Barbie Nation: An Unauthorized Tour (1998)
The 25th Anniversary Director’s Cut will be available on Demand June 27th.
One thing you can’t accuse Susan Stern’s documentary “Barbie Nation” of being is biased. Through and through “Barbie Nation” is a biography about the creation of Barbie, but it’s also an objective one. It’s bizarre, it’s humorous, it’s self deprecating, and most of all it reveals the pros and cons of the Barbie fandom. Director Susan Stern is a lot more interested in taking a look at the more surreal side of the Barbie fandom. While “Barbie Nation” does explore the culmination and conception of the doll, “Barbie Nation” also looks at the small pockets of fandoms that have popped up.
Flamin’ Hot (2023)
It’s pretty disheartening when a movie like “Flamin’ Hot” is released that offers a different take on the whole rags to riches story. Then you learn that none of it is even remotely true, and all you can really do is invest in a myth, or shut it off halfway. I decided to stick with it because, hey if you can’t be given a true story, maybe there’s an entertaining one to be found. But “Flamin’ Hot” is just another in a line of “Rah Rah Capitalism!” movies to be found on the market with movies like “Tetris,” “Blackberry,” and the obnoxious “Air.” I don’t know what the goal is behind making movies about the creation of various products, but I’m just not on board.