Carmine Capobianco, the underground film actor who starred in the memorable flicks “Psychos in Love,” “Galactic Gigolo” and “The Land of College Prophets,” passed away on January 9 at the age of 62 following a long fight against cancer.
Carmine was Phil Hall’s guest on this episode of “The Online Movie Show,” where he discussed his colorful career.
BOOTLEG FILES 754: “The New Scooby-Doo Mysteries – Wednesday is Missing” (1972 episode of the animated television series).
LAST SEEN: On DailyMotion.com.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: A rights clearance issue is preventing its release.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely at this time.
In September 1969, Hanna-Barbera premiered its animated series “Scooby-Doo, Where Are You!” on CBS. The show placed four teenagers and a talking oversized dog in wacky mysteries that involved a supposedly supernatural element. The series was immediately popular and attracted a large following among the Saturday morning cartoon-absorbing kiddie audience.
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When Robert Rodriguez is in kids movie mode, he tends to create some of the most syrupy sweet, loud, tepid movies for his intended audience that though they have a lot of the good intention behind them are pretty much destroyed by the climax. That’s the case with “We Can Be Heroes,” a movie so derivative and tired that it destroys a lot of the charming characters and conflicts in the process.
BOOTLEG FILES 753: “Woody Allen Looks at 1967” (1967 television special).
LAST SEEN: On YouTube.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: Never released in a home entertainment format.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.
It’s safe to say that no one will ever look back on 2020 with any great fondness, except perhaps Mr. and Mrs. Biden, but that now-closed 12-month span was hardly the first year-from-hell experience. Anyone who was around in 1967 will glumly recall the challenges and tragedies that marked the year’s political and social environments.
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Yet another year, yet another legacy sequel from a movie franchise that we all thought was dead for so many years. It’s a cynical approach but so many of these decades later sequels have stunk—which is probably why it’s shocking to see that “Bill and Ted Face the Music” doesn’t actually suck. In all fairness while it’s not a laugh riot, I appreciated its genuine message about love, the power of music, and appreciating what we have while we have it.
Director Matthew John Lawrence’s horror rock comedy is probably one of the best films about the punk rock experience since “The Green Room.” While nowhere near as dark as the aforementioned film, it’s a movie with a silly title that is shockingly complex, heartfelt and injected with a sharp message about how if you’re willing to do “anything” to make it big, it can come back to haunt you. While the title might be something of a turn off to some, “Uncle Peckerhead” really packs in so much heart and genuine characterization.
In 2010, “Scott Pilgrim vs. The World” shocked me. Not because of Edgar Wright. If there’s any director out there that knows pop culture, it’s Edgar Wright. It’s more so how much Edgar Wright understood the idea of pop culture and how absolutely annoying the idea of nostalgia had become. It’d somewhat become a monstrosity of awareness, sarcastic catch phrases, and smug gate keeping. While “Scott Pilgrim vs. The World” is a wonderful film filled with laughs, and some excellent performances, it’s also a polemic about how much pop culture has replaced actual culture. While a lot of others saw it as a great action celebration, I saw it as immensely cynical. It’s also why I love it so much.