A look at director Jean-Luc Godard during the late 1960s through his then wife Anne’s eyes, this film takes an irreverent look at the idol of many and makes him human through how he lived with his wife.
Tag Archives: Comedy
Blood Fest (2018)
I admire the cut of “Blood Feast’s” jib. It aspires to be an all out horror comedy gore fest that celebrates horror movies, and in many respects, it succeeds. I even forgave it for ripping off “Cabin in the Woods.” It’s just even when you shut off your brain, “Blood Feast” is bogged down, and ultimately defeated, by its insanely far fetched climax, and abundance of plot holes. I suspect audiences will leave this movie trying to connect the gaps in logic, more than celebrating its odes to “Saw,” “Night of the Living Dead,” and the fun cameo by Zachary Levi. Seriously, what was up with that? “Blood Fest” has a good idea in its corner it just has no idea how to cleverly deal it out for the movie audience.
The Bootleg Files: Rabbit Every Monday
BOOTLEG FILES 651: “Rabbit Every Monday” (1951 animated short with Bugs Bunny and Yosemite Sam).
LAST SEEN: On DailyMotion.com.
AMERICAN HOME VIDEO: On VHS and LaserDisc only.
REASON FOR BOOTLEG STATUS: It was never released on DVD or Blu-ray.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: It could happen.
Believe it or not, a surprisingly substantial number of classic Bugs Bunny cartoons were never released on DVD or Blu-ray. We’re not talking about the politically incorrect shorts that have been kept of circulation for very obvious reasons, but the knockabout cartoons that were a staple of kiddie television for decades and were part of the initial VHS and LaserDisc release of the old-time Warner Bros. output.
One of Bugs Bunny works not on DVD or Blu-ray is the 1951 “Rabbit Every Monday.” It may not be a classic of the genre, but it has enough goofy charm to generate smiles and light chuckles.
Arizona (2018)
In a mostly empty housing development in the mid-00’s, a realtor witnesses a murder and become entangled in a series of increasingly incredulous events.
Ahockalypse (2018)
Some horror movie premises are just ripe for comedy gold. Cockneys vs. Zombies, strippers vs. zombies, Brits vs. Zombies, et al, but “Ahockalypse” which pits hockey players against a zombie apocalypse is a swing and a miss. It’s not a complete miss overall, but in the end there was just so much that could have been done with the premise. The hockey themed horror comedy’s lack of budget is one of the elements that hinder an otherwise clever idea, as well as a clear lack of tonal consistency through and through.
Santa Jaws (2018)
If you think “Santa Jaws” sounds bat shit nuts and bonkers, then you’d be correct. I don’t typically check out Syfy original movies anymore but what with “Santa Jaws” I had to give it a fighting chance. It’s not often we get a Christmas themed killer shark movie, that’s also a movie about reclaiming the Christmas spirit. No seriously, that’s what “Santa Jaws” is about. “Santa Jaws” has its large tongue firmly planted in its cheek and at no point considers itself a serious horror movie in the vein of “Jaws” or even “Piranha.”
Puppet Master: The Littlest Reich (2018)
I’ve been a long suffering “Puppet Master” fan who has waited patiently for the movie series to go back to its original course and head in to the deeper look in to the puppet mythos. After many years of pseudo-sequels and really awful bargain basement follow ups, we get a reboot but one that’s not a reboot, apparently. S. Craig Zahler’s “Puppet Master” is a new direction for the series that is an alternate timeline series that will exist alongside the original movie series from Full Moon. So not only do we have a crappy original series that needs a course correction, but a brand new series that’s junk from the starting gates with a feeble attempt to be provocative and controversial.