You know what? “Ninja Cheerleaders” is trash but it’s trash you can admire. It’s a mixture of “3 Ninjas” with some “Bikini Carwash” for good measure, a veritable knock off of TMNT where director David Presley replaces teenage ninja turtles for teenage ninja cheerleaders. Starring three gorgeous and often cute young women, “Ninja Cheerleaders” tries for nothing more than pushing the limit upon with our actresses are willing to go. So while there is innuendo, there’s never any sex, and the women here are never sure if they want to be feminist icons or trashy slutty molds for what the movie begs. The plot is nothing you haven’t seen a thousand times before.
Tag Archives: Comedy
Scream 2 (1997)
With “Scream 2” you can pretty much sense Craven and writer Williamson struggling to create a sense of atmosphere that they did with the original. And the movie series that claims to dodge the slasher clichés while also mocking them, eventually became so clustered with attempts to bring audiences a new experience they pretty much relied on clichés and a formula they streamlined in the original. We have someone offed in the beginning, we introduce the old cast, we get to meet a new cast of characters, someone is killing the cast members, Sydney has to find out who or whom is doing the killings, a load of red herrings are thrown at the audience, there’s the obligatory thought that perhaps one of the original three cast members are behind it, and then there is the grand stand off in the climax where we’re given a bunch of “gotchas!” Officers and all authorities are also immensely useless.
Talking with Lloyd Kaufman: Tromadance, Toxie, and Tits
His name is Lloyd Kaufman. For fans of cult cinema and indie filmmaking, the name rings like a doorbell to some of the unusual most twisted films ever conceived by the human mind. To us, the man has been a proponent of what we advocate here on Cinema Crazed: Independent Filmmaking to the very core. Sick and tired of the bloated and corrupt submission guidelines and festival scene that is the Sundance Film Festival, every year for twelve years, Lloyd Kaufman and Tromaniacs throw the the TromaDance film festival.
There’s no entry fee. There’s no ticket price. The only catch is to bring your best film and be ready for some fun. This year we were honored to grab an opportunity to interview Mr. Lloyd Kaufman during his press junket for Tromadance storms New Jersey, and we’re honored to speak to the man who has pushed the very ideals of independent filmmaking for decades and, unlike other filmmakers of his ilk, has actually stuck to his guns even his age where he’s become a bona fide icon among the masses of cult fans, indie filmmaking fans, and horror buffs across the world.
Paul (2011)
As an unofficial capper to the pop culture bash that has been “Shaun of the Dead,” and “Hot Fuzz,” I wish I could bring greater tidings to fans of Pegg and Frost who anxiously awaited their third foray in to another genre adventure, but as it stands “Paul” is merely an okay movie. It’s not the worst comedy of the year, but it’ll far from be remotely remembered as the supreme comedy the gentlemen Nick Frost and Simon Pegg partook in. “Paul” feels like a watered down dose of Edgar Wright fare and unfortunately without him in the equation, this third outing as a team doesn’t entirely succeed as a comedy.
Beavis and Butt-Head Do America (1996)
Before “South Park” and before “Jackass” Beavis and Butt Head treaded ground, first. They had commentary about aimlessness of our American educational system, they had gimmicks that made them iconic cartoon characters, and surely enough they indulged in pranks that were often so grotesque they should have been their own show. But most importantly they were funny and if you were around during the nineties, you can fondly remember seeing Beavis and Butthead everywhere. They were the source of all evil in the world next to Bart Simpson, and threatened to turn children in to raping thieving morons who would destroy the world. And while they were half right, Beavis and Butt head were stereotyped mainly because they were animated characters.
Secrets of Sex (1970) (DVD)
You either know it as the title “Secrets of Sex” or the more aptly titled “Bizarre,” as director Antony Balch’s sexploitation horror anthology is clearly a film that lives up to such a title. Synapse re-releases this seventies gem in the guise of a sexploitation movie, but don’t be fooled. It is very much a horror film of the truest nature that’s reliant on the appeal of sexuality to lower the audiences guards. “Secrets of Sex” is such an unusually surreal piece of genre work that uses sex and the awakening of our sexual natures as a tool for incomparable horror. And through that it tells various stories through the mouth of an inexplicably placed mummified corpse that has seen the battle of the sexes waged for too long.
Zombies! Zombies! Zombies! – Strippers vs. Zombies (2008)
A group of strippers, two hookers, a bouncer, and a pimp run in to a strip club after hours. The start of a funny joke? It’s the premise for “Zombies! Zombies! Zombies!” a surprisingly well made and entertaining horror comedy considering the miniscule budget that it works on from the minute one. Notice how the strip club is the same exterior as the ice rink from the prologue. But who cares? “Zombies! Zombies! Zombies!” is a classic grind house throwback that features a group of mismatched survivors and malcontents going up against an endless horde of the walking dead.