There’s something absolutely genius about director Matthew Kohnen’s horror comedy in which he concocts a formula that’s been done before, and yet feels absolutely brand new. We’ve seen it a thousand times: the government is devising a new toxin for war fare and before they realize it they’ve created a breeding fluid for zombified soldiers. Choosing instead to do away with it, they camouflage the chemical as baby formula and drive it off to a deserted locale. Thanks to inept truck drivers, a barrel falls off the truck and in to a local town behind a bowling alley.
Tag Archives: Comedy
Horno (2009)
Director Terrence Williams shows real promise on occasion, especially with films like “The Hood Has Eyez,” and with his newest film entitled “Horno,” he has an interesting concept but one that doesn’t pan out to an interesting movie. I wish I could have loved the shameless disgusting tripe that was doled out as something Troma angled, but in the end it’s just a good concept with a pretty faulty delivery. Williams has the right idea by inventing a concept within a concept, almost like a meta-movie, but the fact remains that hornos are a relatively established concept. Joe D’Amato infamously did it with films like “Sexy Erotic Nights of the Living Dead.”
Jackass 3D (2010)
“That’s the story of Jackass there! Pissing in the wind!”
Sure, “Jack Ass” May have stumbled with the first film which was just so many layers of pure awful.
Knoxville (pictured) getting mauled. For fun!
But with the sequel, Johnny Knoxville and the guys sort of learned their lesson in spite of its success and turned their antics in to performance art of a sorts. They’ve taken the art of acting like morons and turned it in to a form or pre-orchestrated and carefully planned nihilism that is both very funny and always has something of a point to make.
Take for example the sheer ludicrousness of Knoxville dressed as an old man making out with his under aged (an obviously aged actress pretending to be a teen) grand daughter and no one at all reacting to the display of the two kissing and nearly dropping down to the floor humping. It’s insane how by now Knoxville has figured out that he’s never going to be anything but the man behind “Jackass” so he’s taken that and made it in to a form of art where it’s often a new kind of silent film.
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Young People Fucking (2007)
One thing about “Young People Fucking” that I detested was that it’s really just pseudo mumblecore, when all is said and done. And if there’s one thing I hate it’s mumblecore. I hear enough people blathering on about nonsense day in and day out, I would actually like dialogue with purpose in films. “Young People Fucking” is pseudo mumblecore that really explores the plight of the young hot blond sexy folks of California. Oh no, they’re a dying breed, aren’t they?
Gnomeo and Juliet (2011)
You’ve heard this story a thousand times but we’re telling it to you again, whether you like it or not. Yes, that’s usually the sign we’re about to stumble on to one of the animated greats of the millennium when even jokingly we’re told that this story has been retreaded a thousand times. But we’re going to hear it anyway. “Gnomeo & Juliet” is a film that is marketed to someone but I’m not sure whom exactly. It’s too obscure for kids to understand, and too sugary sweet for the adult sector to enjoy.
Superman XXX: A Porn Parody (2011)
Able to leap tall booties in a single bound, it’s Superman XXX! As a long time Superman fan since the age of five, I’ve found myself oddly intrigued by what they could do with a Superman related porno movie. Batman and Wonder Woman are easy targets for porn parodies. Batman’s entire shtick is based around black outfits and hanging around young girls and boys in caves, while Wonder Woman’s entire crime fighting routine is based on bondage and wrapping men in rope to get them to do and say what she wants. She’s the original dominatrix. But Superman is a tougher concept mainly because he’s such a boy scout it’s tough to imagine anything with Superman even remotely pornographic.
Big Mommas: Like Father, Like Son (2011)
I love how studios assume that just because you stuff a moderately funny man like Ken Jeong in a hip moderately entertaining show like “Community,” you’re destined for comedic greatness. They thought they could work Jeong in for easy laughs in “Vampires Suck!” and they failed. And lo and behold he shows up in the first five minutes of “Big Momma’s” playing–what else–a crazy Asian man who happens to be a disgruntled postal worker. No one in “Big Momma’s” acts like an actual person you’d see on the street. No one would actually chase down and violently tussle with a mailman but hey, Martin Lawrence is grasping at straws in the final film series he really seems to be holding on to for dear life.