My First Wedding (2004)

1279117456_f0af2e85-0edf-4b57-ac96-acd9726bcc08“My First Wedding” is basically a neo-eighties rom com plus incredible fluff based around quirky mix-ups and goofy situations that basically could have been set in the time of sex crazed comedies. A nymphomaniac arrives at a church one day to repair a confessional, and a seemingly gorgeous girl crashes in to confess her sins while he listens anxiously and decides he’s going to pursue her. Enter hilarious situations including awfully gullible characters. Where’s Mr. Roper? But then, that’s the fun of watching “My First Wedding” because it’s basically two nymphos courting each other, with pretty humorous situations involving a wedding party in which Doughty is forced to improvise about his knowledge of the bible, and it’s rather humorous watching him trying to get his way by pretending to be a priest.

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Psych

PsychShawn Preston is excellent at noticing clues and hints to a crime. He’s so excellent, he’s practically a psychic. And now you know what the basic plot is. Preston, taught to point out clues and heighten his intuition since he was a boy, thanks to his demanding officer father (Corbin Bernsen), can solve many crimes by just watching a news report then calls, reports information and collects on the reward money, and it’s gotten him into hot water. To prove he didn’t commit the crimes, he pretends to be psychic. And then it gets interesting.

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Dirty Love (2004)

55Hey Jenny McCarthy, it’s cute you want to take after your hero Lucille Ball, and it’s cute you have aspirations of being funny, but stop. Can you do that for me? Stop trying, and go away. Go away and live on whatever royalties you’re getting from your days on MTV. You’re not hot when you’re farting everywhere, and you never were. You’re not funny, and you never will be. I appreciate your willingness to pretend you’re outrageous, but why do you keep making a fool of yourself? It’s really embarrassing. “Dirty Love” is sad, only because it’s the last efforts of a failed comedienne to show audiences how “quirky” and “outrageous” she can be, and she does this by making a really bad movie.

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The Big Lebowski (1998)

“The Big Lebowski” is probably my favorite Coen brothers film so far, even above “Fargo” in terms of sheer brilliance. “The Big Lebowski” is sort of a celebration of being a man, or in other terms, it’s a celebration of being a dude. Or The Dude. Or duder. Or El Duderino. But the pure fact remains that Bridges is a pure bad ass in anything he’s in and he shows it by being simply “The Dude”. Don’t ever call him Jeff Lebowski, though, it’s the dude. And that’s just the way he likes it. The Dude who lives at the bowling alley, hangs out with his psychotic friends, experiences rivalries with other bowlers, and just has fun finds himself in a humongous crime plot one night after returning home. Upon his return he discovers someone pissing on his carpet and is beaten up in his apartment. It so happens The Dude has been confused with another dude by the name of Jeff Lebowski, a millionaire whose daughter has been kidnapped.

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Stomp! Shout! Scream! (2005)

MVI’m still trying to wrap my brain around the concept of how independent filmmakers with limited resources are so able to achieve the sixties camp value and genuine atmosphere of the kitschy sock hop era so easily, and yet studios with bloated budgets really can’t hit that mark. “Stomp! Shout! Scream!” is a well done fifties throwback that kept me engrossed from the opening musical montage that hit the mark without much effort. And I dare you not to tap your feet to the catchy theme song entitled—well—“Stomp! Shout! Scream!”

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Valiant (2005)

valiantMessenger pigeons were a crucial aspect to the victory of World War 2, and an integral foundation to the survival of the soldiers on the battlefield. “Valiant” is a fun adventure story revolving around messenger pigeons during the Second World War, and it’s surprisingly entertaining. I know it’d be hip to describe “Valiant” as simply lackluster, but I had fun, I had a lot fun, and there are possible reasons for it: I love the British culture, so I have a weakness for anything involving it. I love British comedy. And I love British comedians, and the cast is filled with nothing but talented, legendary British actors and comedians. I mean with cast of Ewan McGregor, Ricky Gervais, Hugh Laurie, Jim Broadbent, Tim Curry, John Cleese, and many, many more, how could I not enjoy this film? And I did.

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The Coatroom (2005)

coatroommI swear, if I wasn’t aware this was an independent film from someone else, I’d insist until my face turned blue that this was directed by Terry Zwigoff. Take the demented attitude of Zwigoff, the situations of “Clerks”, and the awkward realism of “The Office” and you’ll pretty much have “The Coatroom”. Gilbert’s film is an entertaining absurdist existential comedy about a group of people, working in an awful job, contemplating life and their dead end careers in art.

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