Tag Archives: Comedy

Viva (2007)

Posted on by

Will screen on August 27th at the Los Feliz 3 theater in Los Angeles, California as part of the American Cinematheque’s new ETHERIA screening series. More information about the screening can be found on the American Cinematheque’s official website.

Your mileage with “Viva” may vary depending on how much you’re willing to play along with the film’s very subtle satire. About twenty minutes in to the movie is when I finally caught on to the gag, as “Viva” is as much a satire of sixties sexual dynamics as it is a tribute to the aesthetic of the sixties and seventies. “Viva” is a film in the tradition of Andy Warhol, and Russ Meyer, and exploitation gems like “Maid in Sweden” and “Score” where people open up (literally and figuratively) to sex and sexual exploration.

Continue reading →

Brain Freeze (2020) [Fantasia Film Festival 2021]

Posted on by

Director Julien Knafo’s zombie horror comedy is a movie that teeters back and forth between what it’s trying to say and what it’s trying to appeal to. It identifies itself as a horror comedy and injects a lot of silliness involving zombie carnage, body horror, and even some poor animals, but mid-way it stops being funny and tries to convey some kind of social commentary. What the commentary is, exactly, is beyond me, but it never improves on the overlong, tedious exploits.

Continue reading →

10/31 Part II (2019)

Posted on by

I’m elated with the fact that a lot of indie filmmakers these days have delivered so many Halloween-centric genre films. Whether good or bad, there’s practically a whole new sub-genre now, and we’re treated with “10/31, Part II.” The sequel to the surprisingly very good Halloween based horror anthology, “10/31, Part II” offers much of the same Halloween based horror stories, all delivering some unique concepts and narratives that kept the experience lively and surprising.

Continue reading →

Wonder Woman 1984 (2020) [Blu-Ray/DVD/Digital]

Posted on by

Director Patty Jenkins’ “Wonder Woman” movie series has been very good so far. What’s kept the series from being great is the films’ lack of really interesting super villains that can make Diana’s heroic quest difficult. “Wonder Woman 1984” is a very good movie that has its sights set on paying tribute to the iconic heroine, and in those respects it’s a very good follow up to the original film—save for some glaring flaws that keep it from being a great follow up.

Continue reading →

The Suicide Squad (2021)

Posted on by

Director David Ayer’s take on DC Comics’ “Suicide Squad” is one of the classic examples of studio interference, and how it can destroy a potentially great project. Director/Writer James Gunn has a talent for highlighting the more appealing and exciting elements of more underdog comic book characters, and with “The Suicide Squad” he shows us how a lot of the time allowing a director to just create and show audiences their vision can be beneficial for everyone.

Continue reading →

Super Hot (2021)

Posted on by

I think it is possible that director Taylor King has created one of my favorite indie films of the year. I didn’t entirely know what to expect going in to “Super Hot” but it ends up being such a great horror comedy, despite some small flaws here and there. “Super Hot” has its inspirations close to its chest, combining “Booksmart” with “The Craft” to form this unusual amalgam that works shockingly well.

Continue reading →

Space Jam: A New Legacy (2021)

Posted on by

It’s kind of ironic that the villain of the sequel to 1996’s “Space Jam” is named Al G. Rhythm, the physical manifestation of an algorithm who decides the fate of not just star Lebron James but of the Looney Tunes. “A New Legacy” (Or “Space Jam 2”) feels like it was directed not by a person, but a committee of people that followed algorithms about what was appealing to modern audiences, and what was “hip.” The film doubles as a two hour EPK for the HBO Max Streaming Service. “A New Legacy” premieres on the aforementioned streaming service (and theaters), so Warner takes full advantage of exploiting every single (repeat: every single) IP that they have at their disposal.

Continue reading →