Based on the ultra-violent underground comic book of the same name, “The Mask” is a perfect vehicle for Jim Carrey at the peak of his career. In 1994, star Jim Carrey was capable of being in anything he wanted, and “The Mask” propelled him in to the image of an actor who could transform in to a living cartoon. “The Mask” is not at all faithful to the source material, aiming more toward the PG crowd, while dropping enough adult overtones to appeal to a broader audience. Much in the way Looney Tunes and MGM cartoon shorts once did. Carrey plays Stanley Ipkiss, a normal banker who lives alone with his dog Milo and disappears in to his love for classic cartoons on his spare time. After a bad night at a local night club, he finds a mysterious mask floating in the ocean and takes it home.
Tag Archives: Crime
The Hollow (2016)
In a small town in the Deep South, a young local is killed along with a couple of young tourists. One of these tourists being a congressman’s daughter from out of state, the case is assigned to the F.B.I. who sends agents Vaughn Killinger and Sarah Desoto to investigate. As Killinger battles his demons and Desoto tries to keep things together, a tangled web of connections and secrets is unraveled. Writer/director Miles Doleac builds an effective suspense thriller murder mystery. The characters he creates are complex with no one being good or truly bad. His characters are very human with different flaws of varying gravity, none fully hate-able.
Videodrome (1983)
David Cronenberg’s cinematic commentary on the power of media and how the media eventually controls you in ways you’re never quite cognizant of still rings true today. Even though “Videodrome” was more aimed toward the idea of television and our fascination with violence and human misery, Cronenberg’s thriller is still incredibly volatile in an age where humanity does nothing but stare at glowing screens zipping through a ton of data that eventually begin to depict how we live our lives. James Woods plays Max Renn, the owner of a porn television station who also has a penchant for sadism during sex. When he’s introduced to a television frequency called “Videodrome,” he begins to form a fascination with the footage of people being tortured, victimized, and raped.
I.T. (2016)
John Moore’s “I.T.” is like a digital version of “Fear,” where a young charming man is able to slide in to a normal family’s life by means of trust and quick wits. Pierce Brosnan does a good job with the sometimes half baked material as rising mogul Mike Regan. Regan is a man who is bordering on financial ruin and has invented a private form of uber involving custom jets. After a failed presentation, Regan garners the help of temp Ed. After Ed saves the presentation, Mike takes him within his inner circle, allowing him to work on his home automated system, and to relax with him. When Ed meets Regan’s young daughter Nancy, he begins to form an obsession that involves gradually intruding on Regan’s life with his family. When Regan warns Ed to back off, soon Ed begins a mission to make Regan’s life miserable, and it involves using his technological skills.
Level Up (2016)
A group of masked thugs grab Matt and tell him to do as they say or he’ll never see his girlfriend Anna again. As they give him orders by text message, Matt is pushed to see how far he’s ready to go to save the woman he loves. Based on an original idea by Andrew Orr, written by Adam Randall and Gary Young, and directed by Randall, the film is like a type of scavenger hunt/chase through London through which the lead learns about his tormentors and about himself. The bad guys created here are never really explained. The chase the film creates is interesting and how the lead deals with everything thrown at him is in a realistic manner while keeping the attention of the viewer.
The Magnificent Seven (1960)
John Sturges’ “The Magnificent Seven” is such a pitch perfect example of how to accomplish a remake. And Sturges has his work cut out for him as “The Magnificent Seven” is a remake of Akira Kurosawa’s “Seven Samurai.” Kurosawa’s film was already considered a classic by 1960, and was a juggernaut of foreign cinema that influenced filmmakers and studios worldwide. Even today its influence over cinema is immense. So it’s no small feat that “The Magnificent Seven” is just as good as the original and can stand side by side with it as another version of the tale that is as compelling and action packed. In fact Kurosawa loved it so much he allegedly sent Sturges a ceremonial sword as a bid a token of approval for his version.
High Noon (1952): Olive Signature [Blu-Ray]
Fred Zinnemann’s classic Western is an absolute masterpiece that continues to hold its place as my favorite Western of all time. It’s a marvel of cinema, and a wonderful dramatic thriller set in the old West and ponders on the question of what happens when the helpers need help. It’s also a stunning albeit cynical glimpse at the ultimate summary of a hero and how they can sometimes be cast aside by those that they’ve protected for so many years. Gary Cooper’s role as Will Kane is absolutely pitch perfect, especially when it pertains to his role as a man desperately seeking help in staring down imminent death and settling score that will meet him at the end of his day, no matter what he does.