The 1971 feature Le Mans is mostly notable as the rare commercial flop during the height of Steve McQueen’s box office reign. Gabriel Clark and John McKenna’s documentary on the making of Le Mans offers an intriguing look at why the film failed, with most blame going on the star.
Tag Archives: Documentary
The Last Pinoy Action King (2016) [Horrible Imaginings Film Festival 2016]
Filipino cinema has its own culture and during its action heyday, actor Rudy “Daboy” Fernandez was one of the biggest, if the not THE biggest action star the country ever saw. The documentary explores his films, his fame, and his life. It also explores action cinema and cinema in general in the Philippines at the time of his rise to fame and his reign on action films. Documentary co-directors Andrew Leavold and Daniel Palisa, who previously made the Filipino cinema documentary The Search for Weng Weng put together a very informative piece on a beloved actor.
I Am JFK Jr. (2016)
John F. Kennedy Jr. was the rare American who spent his entire life in the public eye. But despite constantly being seen in newspapers and on TV since infancy, most people never heard him speak until a speech at the 1988 Democratic National Convention, and even fewer got to know him well. This documentary attempts to give us a better idea of who Kennedy really was, but the subject ultimately disappoints.
Hostage to the Devil (2016)
Father Malachi Martin is fighting for the soul of those who have been possessed. In his battle, he encounters fake and real cases. One of the latter is the one of a young girl he truly believes is possessed. Hostage to the Devil tells the life story of Father Malachi Martin through interviews and videos of his work. Written by Rachel Lysaght and Marty Stalker with Stalker also directing, the film has a very even style with the interviews all shot about the same and the way they are shown with straight on interview style and overlays on photos and images gives the film a very straight forward feel.
Norman Lear: Another Version of You
Part of the “American Masters” documentary series, “Norman Lear” is a very bittersweet look in to a man who changed culture and television as we know it. Before Norman Lear, not many television shows and mainstream television networks were willing to step forward and address issues that confronted social and economic problems. Norman Lear is a man who grew up in a troubled family and spent a lot of his life remolding television in to a medium that could change how we think and ask us to reflect on our lives. Mr. Lear used a lot of his own experiences to help create some of the most important television series of all time. From “All in the Family” which brought important issues to our homes through comedy, “The Jeffersons” about changing the racial dynamic in a higher class setting. There was “Maude” which explored a very strong sitcom heroine of the feminist ilk, and “Good Times” which explored the life of a family in poverty.
Rats (2016)
After seeing the trailer for Morgan Spurlock’s documentary “Rats,” I was expecting so much more. I guess not so much more, so much as a point. Rats are gross! Rats are icky! Rats are intelligent! Rats are in the city! And…? So, what is the statement or hypothesis for “Rats”? The message behind the documentary Spurlock films is so jumbled and confused that it comes off so manipulative and sensationalized. One moment we’re watching Indian man smashing the heads of rats with sticks, and the film ends on an Indian sanctuary for rats where locals worship the little animals. What is Spurlock even trying to convey to the audience? Spurlock films lot of money shots of rats crawling through pipes, and swishing around sewers, and jumping out of garbage bags, all set to ominous music. Subjects interviewed in the film, meanwhile, throw around buzzwords to make us feel grossed out or threatened.
An Eye for an Eye (2016)
Following the 9/11 attack, a man in Texas decided to kill Arabs and Muslims in his community. This man, Mark Stroman, sits on death row when the viewer meets him. Through interviews with him and others, correspondence, and archive videos and images, the viewer gets to know who Stroman is, why he did what he did, and how he came to be forgiven by the victims of his crimes. Israeli director Ilan Ziv starts his documentary with footage of 9/11 showing the attacks from multiple angles, something that will hit many hard as they watch. Fifteen years later, it is still hard footage to watch for anyone who remembers the day and the events. Those images set what comes next. This being when Stroman decides that he cannot take this attack, and wants revenge. He then writes a manifesto and goes looking for Muslims to kill.