The Witch in the Window (2018) [Philadelphia Unnamed Film Festival 2018]

A divorced father takes his son to a house he’s bought to renovate and reconnect. As they work on the house, something there is showing itself, adding a few layers of fear and oddity to what is already going on.

Writer/director Andy Mitton takes themes of connection, family, letting go, and even grief and mixes them with his own personal take on the haunted house tropes. As the viewer follows along, the film takes these tropes and makes them their own while also not fully committing to being a haunted house film. The film feels more like a psychological film than a straight up scary one.

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Bad Apples (2018)

Truthfully, “Bad Apples” isn’t a terrible movie even when you consider it’s a shameless rip off of “The Strangers.” It just obviously has a paper thin premise and not much else to do but pad the time. The movie is ninety minutes long and for twenty of those minutes it feels like a relationship drama set on Halloween starring Brea Grant and Graham Skipper as married couple Ella and Robert. She’s trying to adjust to her new house, he’s working his new job, and she’s trying to teach at a school run by an overly religious principal, oh the hilarity. Then it decides to dip in to the horror–eventually.

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The Man in the Iron Mask (1998): 20th Anniversary Edition [Blu-Ray]

Alexandre Dumas’ “The Man in the Iron Mask” is based around one of the most interesting mysteries of all time. The man in the iron mask is an enduring mystery to this day left to whispers and heavy speculation, but the movie from Randall Wallace never actually broaches much of that mystery. In fact, “The Man in the Iron Mask” treads lightly among the 1851 novel’s themes and narrative, in place of what is a mediocre, unfocused movie that is much too long in the tooth.

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Feral (2018) [Blu-Ray]

Mark H. Young’s horror thriller “Feral” feels like 2010’s “Primal” and 2003’s “Cabin Fever” reworked in to a goofy zombie melodrama about a lot of pretty people arguing over “important” stuff like relationships, and who’s dating whom before they’re interrupted by zombies. “Feral” could have been a very claustrophobic and weird little cabin in the woods gem, but it’s so mucked up with the twenty minutes of exposition and drama that goes absolutely nowhere. Seriously none of the conflicts actually take any real toll once the narrative gets moving, and it’s a shame.

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Casper’s Haunted Christmas (2000)

Less budget, and less stars, this time Casper’s adventures are reduced to a pretty crummy animated feature where Casper teams up with another spunky young girl. She’s a girl facing a crisis about Christmas and she needs the help of… Casper. Makes sense, I guess. “Casper’s Haunted Christmas” is a noticeably bargain basement style production compared to the previous movies, all the while the animation is often weird and the narrative nonsensical.

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Casper Meets Wendy (1998)

Well if anything “Casper Meets Wendy” is much better than “A Spirited Beginning” despite offering no big surprises. Unless you consider that the only cast member that’s been in most “Casper” movies so far is Pauly Shore. In the former film he played a bad ghost, and here he plays a fortune telling magical mirror. As with most of these movies, there is a whole cast of D list celebrities, and the adaptation of Harvey Comics’ “Wendy The Good Little Witch” is an excuse to introduce future teen star Hilary Duff. To her credit Duff is adorable.

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Casper: A Spirited Beginning (1997)

I, for one, quite loved the big screen reboot of “Casper” with Christina Ricci. As a kid I loved its human elements and fun atmosphere. And then they kind of ruined it with a bunch of direct to video sequels and prequels that stunk. “A Spirited Beginning” is one of many that completely copies the formula of the original movie, with performances that are oh so much worse.

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