A man goes missing and his diamond business partner goes looking for him in Siberia. While there he meets a woman that changes everything for him.
Tag Archives: Drama
The Night Eats the World (La nuit a dévoré le monde) (2018)
Zombie movies have become the superhero movies of modern age where not a lot of people think there can be much original material to mined from it anymore. This year has proven those skeptics wrong with the haunting “Cargo,” and the incredibly complex “The Night Eats The World.” A healthy mix of “I Am Legend,” “Dawn of the Dead,” and “Castaway,” it’s ten minutes too long, but manages to come out in the end as a scary zombie movie with insight about the horrifying world that can linger outside of our doors.
Female Filmmaker Friday: Monster (2003)
As part of our Female Filmmaker Friday series, we will bring films by women to everyone’s attention each Friday.
Based on the life and crimes of female serial killer Aileen Wuornos, “Monster” is an acclaimed true crime biography starring Charlize Theron and Christina Ricci that garnered Oscar nods and plenty of awards.
Gotti (2018)
If anything, “Gotti” will go down as one of the most infamous movies of 2018. It’s a movie was in development hell for years, snuck up on audiences, and garnered a ton of bad reviews. And it responded by insulting critics and talking down to its audience. Make no mistake though, “Gotti” is bad. It’s very bad. It’s pure Oscar bait, with a director who realty wants his film to be “Goodfellas,” and a leading star who is so completely out of his lane it’s kind of sad to watch. Here John Travolta doesn’t seem to be acting, so much as competing for an Oscar nod, and it’s an endurance test from beginning to end.
The Domestics (2018)
It’s the end of the world as we know it, and every single surviving human has broken up in to fractions, mini-societies, and tribes that delight in murder of others, and survival of the fittest. “The Domestics” is “The Purge,” meets “Red Dawn,” meets “Mad Max,” meets “The Warriors,” with a dash of “It’s a Mad, Mad, Mad, Mad World” for good measure. Let’s face it, at the end of the day its pure blissful, loony post apocalyptic movie porn and hot damn if I didn’t love every single minute of it from beginning to end.
Satan’s Slaves (Pengabdi Setan) (2017) [Cinepocalypse 2018]
Seven Stages to Achieve Eternal Bliss By Passing Through the Gateway Chosen By the Holy Storsh (2018) [Cinepocalypse 2018]
Hey, I always thought that if you want to make a comedy that practices surrealism and is abstract, then go hog wild. Just make sure that the comedy is actually funny. Thankfully for the most part, “Seven Stages…” is funny. It’s very funny, in fact. It’s also so off the wall, weird, and out of the ordinary that it might alienate some audiences who go in to it expecting something mainstream and broader. For a debut Vivieno Caldinelli’s “Seven Stages…” is funny and bold, but by the hour mark, the narrative completely falls apart, and I was about ready for the movie to end.

