The Inimitable Ellen Page

Celebrities-ellen-page-4-10When we first see Hayley, she is not what we’re expecting her to be. For Jeff, he’s met and seduced a young girl online and when we first see Hayley she might very well be between eleven or twelve. She’s a chocoholic and pretends to be sophisticated in spite of the fact that deep down she’s kind of a bubble head. She’s sort of annoying, and she’s dressed like she’s just waiting to be dragged in to an alleyway and murdered by a wolf crossing her path. She could be taken down at any moment. For audiences around the world, it was most jarring to see a preteen portraying a juvenile who was on the verge of being victimized by an older man. Hayley says she’s fourteen but she may very well be much younger. She has short hair, and red lips, and talks with a bit of an accent giving away too much information about her secret life, and for Jeff it’s all a cakewalk.

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Breaking Out of the Asylum: Interview with Director Leigh Scott

leighWhether or not you actually agree with Leigh Scott’s methods of filmmaking and business, whether or not you like Asylum, whether or not you’ve ever bothered to see a film from Asylum, you can’t argue that Leigh Scott is definitely ambitious and has an eye for detail. Though films like “Transmorphers” and “Pirates of Treasure Island” were considered busts and universally mocked, there’s a definite knack for detail and cinematography there that you can’t deny.

Leigh Scott went to work for Asylum pictures a long time ago becoming their most prominent director, a man who guaranteed to get their movies out there in time with a solid cast, and since then he’s branched out to make films on his terms and try to emulate the directors he’s come to admire as a film buff. The Milwaukee born filmmaker is still at it, and now has the chance to hit the scene in a big way with a revisiting of the L. Frank Baum tale “The Wizard of Oz” which is a modern take with a twist called “The Witches of Oz” about an adult Dorothy now being called on to save her own reality when the Wicked Witch of the West decides to conquer Earth.

Often a controversial filmmaker spawning many articles and questions of his practices, Scott has shown no signs of slowing down any time soon and continues to power on with this much talked about production expected to have a limited release soon. Though Leigh and I have a rather interesting, volatile, infamous (any other adjectives you can think of) history together, I thought it would be a good chance to interview Scott and see what he’s been up to and why he decided to twist the tale of “Wizard of Oz” for the modern age.

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Chris Lemmon, Author of "A Twist of Lemmon" and Our Review

919First and foremost, “A Twist of Lemmon” is a thank you letter and final farewell from Chris Lemmon to his father Jack Lemmon. And though intentional or not, “A Twist of Lemmon” at almost two hundred pages, is also a testament to the power of the father and son relationship and the importance of it in shaping a man. Whether a loving father or an abusive one (Lemmon was the former, by the way), the men in our lives shape who we become. It’s an often emasculated and marginalized aspect of the parental foundation that’s constantly deemed irrelevant and easily dismissed in a world that values women more over men, but the father and son relationship is one of the most powerful dichotomies of nature.

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Roman Polanski: Wanted and Desired (2008)

Like the abortion issue, everyone has an opinion about Roman Polanski and his crime. They have opinions about the particulars; they have thoughts about why he committed this crime, and are often very quick to label him a pedophile, or rapist, or criminal. And much like the abortion issue, every thought is controversial and turns heated. What “Roman Polanski: Wanted and Desired” does is try to look at the issue from all areas. It never completely deifies Polanski, and it never demonizes him as a sexual deviant. It instead asks you to think of why he fled the country, and for some that may be a hard pill to swallow.

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Save the Cat! Goes to the Movies [Paperback]

9781932907353_p0_v1_s260x420What’s a MITH? Not a myth, you moron, a MITH.

Well, that’s something you’ll have to find out for yourself. I had to after reading “Save the Cat! Goes to the Movies” and I wasn’t sure I’d get anything out of it.

I mean on the cover it seems cutesy, but the introduction almost suggests it’s going to tell us something we already know. Does it? Well, upon reading the first chapter, I found I couldn’t stop reading, and that’s because Blake Snyder does tell us stuff we already know, but then… he surprises you too.

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Hollywoodland (2006)

On June 16, 1959, George Reeves committed suicide; which was then later thought to be and is still heavily debated as a murder. This death was important to many people for the simple fact that it was the end of a beloved icon, and one of the earliest people to bring Superman to life. Reeves is also one of the earliest to help fuel the alleged Superman Curse, a series of coincidences later touted and tagged as a black mark on the folks who played Superman, for the sake of selling books. Is it a curse that brought about such bad ends to these men who played Superman? I say no. It was merely a bunch of coincidences that lent credence to the term “Shit happens.”

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