Writer/Director Brandon Cronenberg’s horror film promises to be one of the most polarizing, if not the most polarizing, film of the year. It’s a grotesque, beautiful, nauseating depiction of sickening hedonism and amorality in its seductive and repelling. It’s a kaleidoscopic orgy of sex and violence and pure blood thirst that, as art often does, comfort the disturbed, and disturb the comfortable. “Infinity Pool” is the very definition of body horror, a movie that both celebrates and abhors everything about the body.
Tag Archives: Horror
Puppet Master: Doktor Death (2022)
Dave Parker’s sequel/spin off from the “Puppet Master” movie series is probably one of the most undercooked movies to come from the “Puppet Master” movie series, to date. In a time where Full Moon seems to be celebrating the flagship series, it’s sad to see movies like “Doktor Death” simply come out of the gates not trying to tell a story at all, or even respect the mythology of its predecessors.
Sorry About the Demon (2023)
There’s a realty good film desperate to break free tom “Sorry About the Demon.” While it’s not what I’d call a bad movie, it’s a movie that director Emily Hagins kind of loses grip over in its final half. It’s overlong for such a paper thin premise, and most times it feels like the movie can never decide if it’s horror rom-com or rom-com with a touch of horror. It’s a shame because the ingredients are there, but “Sorry About the Demon” never adds up to much of a genre film.
Kids vs. Aliens (2023)
I’m a big fan of the “V/H/S/” movie series and one of my all time favorite segments is Jason Eisener’s “Slumber Party Alien Abduction” from “V/H/S/ 2.” It’s a chaotic, and creepy segment about aliens literally crashing a slumber party. So I was elated to see that director Jason Eisener of “Hobo with a Shotgun” was adapting that segment in to a virtual loose remake called “Kids vs. Aliens.” Suffice to say he and co-writer John Davies not only does justice to the previous short form segment, but might have just built an epic series.
The Last of Us: Series Premiere
I’d be lying if I told you I ever played “The Last of Us.” I only know of it through various online game reviewers and understand the general gist of it. Going in blindly, I was able to completely separate myself from the source material and completely engulf myself in to this world. And I’m glad that I did because “The Last Of Us” thankfully works for gamers and the broader audience. “The Last Of Us” has a lot of information to dump on the audience to establish where it lies and what we’re playing with.
The Thing That Ate the Birds (2021)
Director Dan Gitsham and Writer Sophie Mair’s horror short is a masterful creepy tale about dysfunction and what happens when your actions have dire consequences. I wasn’t sure what to expect with “The Thing that Ate the Birds,” but partners Mair and Gitsham deliver on all fronts as a complex and creepy genre entry.
Night of the Bastard (2023)
Erik Boccio’s horror survival thriller is a film that sets its foot firmly in the Satanic cult sub-genre. It’s “Straw Dogs” meets “Race with the Devil” but with none of the charm or creativity of the aforementioned. It’s not to say that “Night of the Bastard” isn’t a spirited effort, but the movie spends so much time propping up plot points that it never quite answers, and can also never quite get past the shaky performances and silly dialogue.