It’s been almost thirty five years since we saw any semblance of “Gremlins” entertainment rear its scaley head. Now in the midst of reviving old IP’s HBO and Warner take a shot on reviving Joe Dante’s classic film series. “Secrets of the Mogwai” is thankfully built very much in the vein of the classic 1984 film, and less like “The New Batch.” It’s a dark fantasy (with charming animation obviously influenced by LAIKA Studios) with a lot of harrowing action and terror, but also revels in the inherent awe and wonder of Gizmo and the concept of the Gremlins, twisted as they may be.
Tag Archives: Horror
Pillow Party Massacre (2023)
One of the things I wish horror movies would stop doing is the meta-dialogue drop where a character proclaims “I feel like I’m in a horror movie!” to which someone replies “Well this isn’t a horror movie! This is real life.” Please stop that. I know I’m watching a horror movie. I don’t need to know that the characters know that we’re watching a horror movie. That said, “Pillow Party Massacre” is a mix of “I Know What You Did Last Summer” and “Slaughter High” but with none of the fun hacking and slashing that goes with them. There’s nary a pillow party or a respectable massacre to be had.
Killer Kites (2023)
With “Killer Kites,” you’re facing a movie that’s genuinely critic proof, and has a clear idea about what it is from the first moment it starts. It’s only an hour in length and spends a lot of its time trying to turn kites in to mythological monsters. So, you either go in knowing what to expect, or you turn around look for another means of entertainment. I have to admit that Alan Dale and Austin Frosch’s horror comedy won me over from the opening credits.
Bloody Bridget (2023)
Burlesque dancer Bridget gets turned into a vampire by Baron Samedi who believes her to be his long lost wife, Maman Brigitte. With her newfound powers, Bridget spreads some mayhem and stops some evil.
The Third Saturday in October: Part I (2023)
Hey even if you don’t like the experiment that Jay Burleson has concocted, you have to give “The Third Saturday in October” its credit for being so ambitious. The movies seem to have been made on a very modest budget, but director Burleson has an obvious adoration for slasher movies of all kinds. “Part I” of the series is a love letter to John Carpenter’s “Halloween” and seventies slasher films in general, and while embracing slasher tropes, he does a rare thing and gives us an African American movie maniac. Not just that, but a horrifying African American movie maniac.
The Third Saturday in October: Part V (2023)
There’s a ton of creativity and fun to be had behind writer and director Jay Burleson’s pair of slasher films. With the pair of movies you have what is an admirably constructed mythology, along with a cast of performers that are the absolute highlight of the movie. Even the more irritating characters eventually won me over, and that’s saying a lot. In spite of the warts and all, Burleson gets creative from the outset with a pair of films that have to be appreciated and experienced backward.
So, you have to watch “Part V” before you can even watch “Part I.”
Blood Relatives (2023)
I’m surprised with how much I enjoyed “Blood Relatives,” since it’s not so much a horror film, as it is more of a road trip drama comedy about two vampires. That’s not meant to disparage “Blood Relatives” at all, I found Noah Segan’s horror comedy to be quite good and a very engaging tale about a father and daughter learning to love one another and bond. What makes their dynamic even more difficult is that they have the whole vampire thing wedging between them, which amounts to considerable dramatic tension. Thankfully none of the dynamic ever really feels forced, as Noah Segan and Natalie Moroles have great chemistry.