Thir13en Ghosts (2001): Collector’s Edition [Blu-Ray]

I’ve always loved the William Castle ghost film and the remake of “Thirteen Ghosts” by Steve Beck. Back in 2001 when it was being panned, I appreciated its ambition, amazing special effects, and great narrative. Now, many years later, horror fans have finally caught up to what a great, radical re-imagining of William Castle’s ghost film is. It’s a hard rock, balls to the wall ride that compensates for the lack of ghost glasses with excellent special effects, and some fun gore and grue.

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Suffering Through the “Zombie Bloodbath” Trilogy

The “Zombie Bloodbath” trilogy is the sheer apex of garbage zombie movie fodder. It topples even “Night of the Living Dead: Resurrection.” The trilogy is something you’ll be forgetting minutes after, as only an hour after viewing these I can’t truly recollect the plots. There’s really no sense of arc, continuity, or overall cohesive storytelling here, as the zombies take center stage in films where characters are a sheer after thought. In the first Zombie Bloodbath from 1993, at a remote radioactive plant, its workers suffer the outbreaks of a chemical spill which turns them into—what else? Zombies.

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The Haunting of #24 (Lie Still) (2005)

Director and Writer Sean Hogan’s “The Haunting of #24” is a film with a lot of potential that is never quite realized in to much of a film with any kind of substance or surprise. Director Hogan sets up so many plot devices, characters, and suspense that can be flourished into a horrifying ghost film. Alas, “The Haunting of #24” is just mediocre as all get out, and squanders most opportunities to rise to the occasion and spook us. It’s not a horrible movie, it’s just so utterly boring to sit through from beginning to end.

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Playroom (2006)

“Playroom” is yet another horror movie with an identity crisis, and the apparent struggle for a solid identity is concocted by director Stephen Stahl who wants a coming of age movie, and a horror movie wrapped in one bizarre package. Paired with homophobic overtones, “Playroom” (also known as “Consequences”) is the story of a group of friends in the eighties (Stahl never lets us forget it’s the eighties) who bond and love one another, and eventually disconnect as life takes its toll.

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