Marc Natoli is a new-ish actor who just landed in Los Angeles to take it by storm. His skills are clear in The Proposal where he gets to kick much ass and show that he’s got some acting chops to go with that. Marc was gracious enough to give us a bit of time to answer some of our questions and do a mini photo shoot around Hollywood.
Tag Archives: Horror
Culture Shock (2019) [Etheria Film Night 2019]
Cinema Crazed’s 2019 Summer Movie Gift Guide
Five Most Anticipated Films of Fantasia Film Festival 2019 [Fantasia Fest 2019]
For yet another year, Cinema Crazed will be covering the Fantasia International Film Festival, the 23rd edition running from July 11th to August 1st. The festival is famous for featuring some of the most acclaimed and highly anticipated genre films from around the world, and this year is featuring 130 films in its slate. Among them there will be the world premieres of MYSTERY OF THE NIGHT, BLOOD ON HER NAME, STARE, 1BR, THE DEEPER YOU DIG, and HOMEWRECKER; as well there will be events like screenings of classic horror like “The Living Dead at the Manchester Morgue” and the rare TV movie “What Ever Happened to Rosemary’s Baby?”
With the site covering Fantasia again, these are five film premiering that we can’t wait to check out.
Annabelle Comes Home (2019)
Proving once and for all that the “Conjuring” cinematic universe works so much better when New Line takes their time to offer something made with care rather than haste, “Annabelle Comes Home” is a third entry in to the spin off that delivers big time. 2014’s “Annabelle” is a distant memory now, as the series has managed to redeem the spin off transforming Annabelle the doll in to a worthwhile villain who brings only death and carnage where ever she is, and we never spend time trying to find out why. She’s merely an instrument for evil and that’s what helps “Annabelle Comes Home” as an entertaining monster movie about evil preying on the weak.
Belzebuth (2019) [Cinepocalypse 2019]
It’s stunning that there has never been much stride made in the realm of possession movies. It seems like “The Exorcist” was the beginning and end of the sub-genre, followed by decades of films that ranged from serviceable to downright abysmal. “Belzebuth” further proves that theory as it’s a middling horror thriller that’s densely packed, kind of confusing, and ironically manages to deliver some good scares from the real life atrocities it depicts rather than the images of demons, evil Jesus Christ, and exorcisms.



