Mike Clarke’s short thriller “A Hand to Play” is an interesting and dynamic slight of hand for crime thriller fans, and it’s one that I hope really storms film festivals. Clarke is wise to cast the primary antagonist as the great Doug Bradley, who can play this role in his sleep. As the villain Mr. Trent, Doug Bradley brings with him a gravitas that posits him as one heck of a horrifying villain.
Director Aviral Kapoor’s “Rocket” is a pretty serene and cute short film about a father and a son that realize they’re much more alike than they’ve ever given each other credit for. In “Rocket,” director Kapoor sets down on a young boy named Kevin whose life is filled with loneliness occasionally interrupted by bullies who make a habit of beating him up every day after school. When Kevin returns home, he finds his father James doting over inventions while Kevin is forced to take to his own amusement, and figure out his own problems.
It’s always nice when animators aren’t always interested in appealing to the whimsical and fantastical elements of animation. Sometimes, animators want to be bizarre, and “Murgi Keno Mutant” is about as bizarre as it gets. Even the animation recalls the work of Ralph Bakshi at certain points. In the near future, food is in short supply and the only meat available come from giant mutant chickens, which they survive on.
Short and much more succinct, director Donlee Brussel’s “Cabbie” has really managed to change its overall tone, lending to its a bittersweet taste that I thought worked much better. “Cabbie” still has its flaws, but when it was done, the purpose of “Cabbie” seemed much more focused. “Cabbie” is centered on aspiring cabbie Marty, who is a combination of naive and quirky. He sees the more interesting purpose of cabbies as being a noble profession, and wants desperately to be the nomadic cab driver that travels the city looking for new people to take to their destination.
Director Patrick Rea has a great skill for misdirection, where you think you’re going somewhere in a story, but suddenly you’re in a completely different avenue, plot wise. Patrick Rea delivers another really fine short film called “I Do” that begins like every Patrick Rea movie to date. Something is amidst, and the minute we enter in to the scenario, we want to know what is happening. When we finally do, it’s outstanding.
Peter Dukes and his comrades at Dreamseekers Productions have been giving genre fans some unique short films for many years, and most recently they delved in to the werewolf sub-genre with their short film “The Beast” co-starring Bill Obsert Jr. In the midst of directing his latest short film “Little Reaper,” director Peter Dukes took time out for an interview and discuss his love for film, his methodology, and his plans for “Little Reaper,” a short film about the grim reaper’s rebellious young daughter.
I wanted to love “Exit Humanity,” but in the end I feel like there were just too many ideas for one film. “Exit Humanity” attempts to take a simply a period piece zombie movie and turn it in to a high concept art house film. So there’s narration (by the great Brian Cox), there’s an alleged journal chronicling the rise of the dead, there are animated wipes that progress to the next scene, there are animated sequences where our hero fights the walking dead, and there are an endless stream of flashbacks and nightmare sequences allegedly symbolizing the carnage of the situation at hand.