Aliens, Clowns & Geeks (2019)

Richard Elfman’s “Aliens Clowns & Geeks” is the type of indie zaniness you’ll only find in back room of modern cinema. It’s a fearless, and bizarre mish mash of comedy, satire, science fiction, music, and just about everything else you can find. There are transgender individuals, and evil clowns, and a hero who can fire lasers out of his anus. And that’s really the tip of the iceberg when you manage to soak it all in. And you’ll need a hell of a lot of booze and weed to soak it all in.

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George A. Romero’s The Amusement Park (1972)

George A Romero was never one to apply subtly to his cinematic art. He was always interested in transplanting his feelings about deep and still very relevant social issues in to the horror genre. His ideas about the military industrial complex, gross consumerism and class warfare still ring loudly in modern society, and “The Amusement Park” fits right in to that stark tableau. Although not horror in the strictest sense, “The Amusement Park” is very much a Romero brand horror movie. It’s about the ravages of growing old, and how society treats the elderly.

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Sound of Violence (2021)

Following the murder of her family, Alexis seemingly miraculously recovered her hearing. As she studies music, an interesting phenomenon happens and she can feel and see music in a different manner than most. This leads her to experimentations that are anything but ethical to get to her goal of knowing and feeling more of the music. As she creates music, a dark secret comes to light. 

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The Retreat (2021)

A couple finds their way to the countryside after being invited to a retreat by a couple of friends. As these LGBTQ+ couples leave the safety of the large city, they soon find out that the countryside, this one in particular, is not very friendly to people who do not fit the locals’ ideas of what should be acceptable. 

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