It’s shocking how tough it was to find cinematic heroes that are minorities. If I wanted to make a list about minority gang members, or thugs in movies, I’d have a list a mile long, but heroes? It’s tough. In the end I tried to compile a list of ten great minority heroes of the movies that wasn’t too obvious, but it’s slim pickings out there.
In either case, if we missed anyone, let us know in the comments!
Marvel and MadHouse team together to offer fans of Iron Man a really fun and unique animated adventure with Tony Stark and Iron Man. And while it’s short on plot, it more than compensates for that short coming with some dazzling animation, and an excellent sense of pacing that keeps “Rise of Technovore” absolutely engrossing. Though most of the anime efforts from Marvel with Madhouse have the capability of slowing down, “Rise of Technovore” is always moving and always fun.
Director Shane Black loves Christmas. Hell, the finale to “Iron Man 3” is a loving tribute to the classic “March of the Wooden Soldiers,” but in the end what makes “Iron Man 3” is not the finer Shane Black touches, but the purely intelligent and utterly volatile commentary on terrorism and the American government that really plants this final entry as the most mature of the “Iron Man” films by far. While “Iron Man” is the most entertaining, “Iron Man 3” has a lot to say about the war on terrorism.
I guess with the not so stellar ratings of the fantastic “Avengers: Earth’s Mightiest Heroes,” Disney figured it’d be a good idea to lay the ground work for another “Avengers” vehicle. This time, “The Avengers” are much closer to their cinematic counterparts, taking off from the first movie, and including superhero The Falcon, who is slated to appear in the upcoming sequel. What’s sad is, when you think about it, “Avengers Assemble” is actually a spin off of “Ultimate Spider-Man.” Marvel has laid the ground work for this new series with guest spots from the movie versions of the Avengers since the show started, with appearances from Iron Man, Thor, and the sun glasses donning Hawkeye.
What Joss Whedon has done is quite spectacular. He’s managed to take what could have been a complete clusterfuck of a movie and compacted every single hero and their mythos within two and a half hours, while also being able to introduce new heroes we can root for in the process. “The Avengers” is a true accomplishment of not only studio ambition but comic book cinema, a true masterpiece of the fantasy genre that piles together Marvel’s greatest heroes for a film many comic book fans have dreamed of having for decades. “The Avengers” incidentally is one of the many variations of Akira Kurosawa’s unparalleled masterpiece “Seven Samurai.” In “The Avengers” much like Kurosawa’s masterpiece, a thuggish villain rears his ugly head prepared to take down a land of innocent people for their own selfish purposes. Only when seven mismatched and unique heroes join forces and put aside their egos to defend the land does the villain meet his match. Ultimately while “The Avengers” is in fact an ambitious project that’s been planned from the get go, the film feels very meticulously crafted.
Whether we like it or not, from here on in Marvel Comics and Marvel Entertainment is officially owned by Disney Studios. What effect this will have on the comics and characters as a whole has yet to be fully realized, but many can agree one of the positive outcomes of this new ownership has been “The Avengers: Earth’s Mightiest Heroes” a full fledged action adventure series starring all of the heroes we know and love fighting as one super team against Earth’s most impossible foes.
After a very disastrous animated attempt in the late nineties many fans recall with disgust, Disney has rebooted the animated franchise including all of our favorite heroes the aforementioned series failed to include and have considerably gone all out creatively and artistically. While the series will satisfy fans of the actual title, the intent of the series is to garner brand new fans of the titles and characters being pushed on a kids channel geared toward boys and will undoubtedly win over a brand new generation of true believers.
Where in we saw Tony Stark as a modern day Howard Hughes in the first “Iron Man,” a reclusive eccentric bachelor billionaire whose vision produced the iron man suit allowing him to achieve his brilliance and somehow benefit the whole of mankind, we’re now given a different view in to Stark by screenwriter Justin Theroux as Stark is presented as a modern day Oppenheimer whose creation and mind-blowing new discovery is about to become the property of the US government whether he likes it or not and will probably be used as a war weapon.