One thing DC is really good at is providing us with animated movies that act as prologues and or inbetweenquels for their big budget movies and for the Green Lantern they’ve pulled out all the stops with a film that is something of a prologue. It’s not so much a prologue as it is a look at another day at the GL Corps, and “Emerald Knights” is an anthology of tales from the corps that isn’t just meant to give viewers a refresher course on the characters, but to give them an idea of what we’re looking at should “Green Lantern” potentially reach franchise status.
Tag Archives: Kids
Yogi Bear (2010) (Blu-Ray/DVD/Digital)
Though the argument will be that this film is not marketed to someone like me, I think you can be of age and still think “Yogi Bear” is an assault on the senses. In fact I think it tends to border on noise pollution with a slew of stars whom are much more talented than the film would dictate. Particularly Tom Cavanaugh who looks like he has the life beaten out of him playing the toned down more Duder version of Ranger Smith.
Lemonade Mouth (2011)
One of my misapprehensions going in “Lemonade Mouth” was that ultimately the film would serve as a function to promote the lovely Ms. Bridgit Mendler. And while yes that is true, “Lemonade Mouth” holds true to the characters’ ideals that this is a group story about a group of people who come together to make some damn fine pop music and as such while Mendler is the spotlight player (being Disney’s now go to gal for a franchise), she’s not the highlight. Why did I watch this? Admittedly for Hayley Kiyoko who above all is one groovy mama jama whose own life is like a rock fantasy. Thankfully, she’s also not the sole highlight of the film.
Rio (2011)
It would seem only fitting that Jessie Eisenberg would play one of the most neurotic yet charming characters of the year, as “Rio” is exactly up his alley as a character mold he’s most accustomed to playing. Insecure and neurotic, Blu is a winged Woody Allen and Eisenberg is up for the challenge in what is basically another on the run animal romp that we saw last year with “Toy Story 3.” It won’t garner points in originality or depth, but for what it offers, it’s a cute and promising environmentally conscious romance comedy about Blu and his owner Linda, two love lorn and socially awkward individuals who found one another one fateful day after Blu was snatched from his home.
Force of Five (5 huajai hero) (2009)
When I was a kid I was introduced to a plethora of fighting kids movies, all of which featured children who could very well either kick the crap out of me, or kick the crap out of someone for me. I always marveled at the talent and display seen in films like “3 Ninjas” and it’s nice to know with a certain movie about a karate kid starring Will Smith 2.0 getting all the hype, we can marvel at true talent like the variety displayed in “Power Kids.” The Thai martial arts film from Krissanapong Rachata barely clocks in at seventy minutes and possesses about two fold the raw talent displayed in the previously mentioned stink fest. Kroo Lek and his family of orphans are a proud clan, people who earn their keep and train each other in the fine art of Thai Boxing.
Hop (2011)
Unpleasant, unfunny and uninspiring, “Hop” is so much more awful than I’d originally predicted primarily because it took my rock bottom expectations and dashed them by delivering an even worse movie than my optimism would have allowed. I had hopes for “Hop” originally, and I’d opted on giving it a fair shake, but found myself genuinely annoyed by every inch of this disingenuous holiday commercial that is about as much about the holiday as Garry Marshall’s “Valentine’s Day” was in 2010. “Hop” is such a corporate tool that it feels like upon its original conception it was marketed to Hallmark and American Greetings for the sole sake of EB.
Gnomeo and Juliet (2011)
You’ve heard this story a thousand times but we’re telling it to you again, whether you like it or not. Yes, that’s usually the sign we’re about to stumble on to one of the animated greats of the millennium when even jokingly we’re told that this story has been retreaded a thousand times. But we’re going to hear it anyway. “Gnomeo & Juliet” is a film that is marketed to someone but I’m not sure whom exactly. It’s too obscure for kids to understand, and too sugary sweet for the adult sector to enjoy.