Cinema Crazed's Top Movies of the Decade (2000-2009)

Personally I could care less who thinks when the decade ended or began. Many people are saying that the decade actually began in 2001 and ended in 2010, others are saying it began in 2000 and ended in 2009, while many are oddly insisting the decade began in 2000 and ended in 2011. I could care less who thinks what anymore. Since we basically missed the boat on posting our thoughts on our favorite movies of the decade back in December of 2009, we’ve decided to finally catch up and post our top films of the decade starting from 2000 and ending on 2009. That’s that. We’ve spent the last three months trying to figure out how to best voice our thoughts on our best films of the first decade of the millennium, and we figured we may as well just post our list embedded in one big article.

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Black Christmas (1974)

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We never did find out who Billy was, did we? Was he a disgruntled ex-boyfriend? A humiliated crush? Or perhaps just a lunatic who drifted into the sorority house one night before Christmas? It’s always more frightening to be left with questions, isn’t it? Why do killers always have to have a motive or connection to the characters? Do real murderers always make sense? From the first frame director Bob Clark leads us through a labyrinth of absolute red herrings advising us to pay attention, notice the clues, and really focus in on where he’s going with “Black Christmas.” For years I heard many people trying to figure out who Billy is and what his intent was toward this group of young women in their sorority house one Christmas. How is able to get in and out without notice? How is he able to sneak back and forth in this house without being seen?

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We are Cinema Crazed and We're Here to Talk about Scott Pilgrim vs. The World and Stuff! One! Two! Three! Four!

NOT SO LONG AGO IN THE MYSTERIOUS LAND OF NEW YORK, FELIX VASQUEZ JR. WROTE A SCOTT PILGRIM ARTICLE…

At this time I’m still trying to decide if I love or hate “Scott Pilgrim vs. The World” for what it is. I am convinced years from now young kids will be declaring that Edgar Wright’s film is something of a cheer for their culture, a love letter to the nostalgia obsessed Canadian hipster society, but many will fail to realize or even admit that in reality this movie is a practical joke. Deep down while it looks like a celebration of our nostalgia obsessed technology based generation, Edgar Wright actually makes fun of people he purportedly appeals to with his 2010 action romance movie. While many have described it as a bright and colorful movie, it is actually the most cynical statement about our culture in years. Many won’t accept that or be willing to even admit it’s a possibility since Edgar Wright is a pop culture fanatic and has always hung around pop culture fanatics in his early years.

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Winter's Bone (2010)

936full-winter's-bone-posteRee Dolly is smart enough to know not to have sex at her young age and have a child. She is in a world of poverty and goes to school with friends who are barely out of puberty and strapped down with a baby. The tragedy though is with her mother being basically an invalid incapable of caring for herself, Ree is forced to be a mother anyway for her baby brother and sister, both of whom can barely cook let alone fend for themselves. It’s a horrible sick irony that plagues the life of Ree, the oldest of three children who is basically the mother, daughter, and guardian of her household, forced to live day by day and is often so desperate she has to rely on the neighbors to feed her family and give them electricity, but is too proud to ask for a hand out.

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Black Swan (2010)

Black-Swan-posterDirector Darren Aronofsky has always had a talent for delving in to the human psyche and offering us deeper more complex looks in to our souls and perceptions of reality. “Requiem for a Dream” was a film constantly teetering between a life of misery and woe distorted by our own desires for something better, while “The Fountain” destroyed all of our notions of time and infinity in a world not bound by simple quantities of hours and days. His master opus is a work of art that transforms the world of Nina Sayers in to something of a personal hell where she is incapable of escaping and is seeking a perfection that she may never be able to obtain. “Black Swan” is a masterpiece, a classic trail of perceived normality in to madness, a world of light consumed by shadows, and our very own minds becoming the key to our unraveling of consciousness and reality.

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Between the Blinds (2010)

btbSpeaking as an author who is constantly thinking up new ideas for novels, injecting his own sentiments in to the psyches of his characters, and has known what a struggle it can be to muster up an idea for a new story at the demand of an editor or a publisher, I found “Between the Blinds” not only a testament to the fragility and beauty of human emotions but to the power of the creative process and how absolutely tumultuous it can be. For any self-respecting writer, they will be able to relate completely with our protagonist, a writer who is given only a few hours to complete a new manuscripts and angrily struggles to concoct a new idea.

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Scott Pilgrim vs. The World (2010)

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“Scott, if your life had a face, I’d punch it.” – Kim Pine

The stellar Edgar Wright has finally made it to the American shores by way of a cult series of graphic novels and in typical Wright-fashion, he’s not prone to just making any movie that would appeal to an audience of the PG-13 sector. “Scott Pilgrim vs. The World” is self aware. It’s so self-aware it’s aware that it’s self-aware and makes its audience aware of its self-awareness by reminding us of its self-awareness with an often self-aware sense of humor that very few will get. Leave it up to Wright to make a broad mainstream teen film that will only appeal to a cult audience as “Scott Pilgrim vs. The World” is basically about the modern generation. It’s pure unadulterated pop culture overload with ideals that are simplified and set to the tune of classic video games.

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