Guyver: Dark Hero (1994)

That’s more like it. After the first “The Guyver” managed to draw up some profit and interest, New Line released a sequel to “The Guyver” directly to VHS. It wasn’t until 1995 where I was finally able to see it on the Science Fiction Channel in American cable television. I wasn’t even aware there was a sequel at the time. For folks who hated the camp and comedy of the first film, prepare for a jolt of pure action packed entertainment.

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The Guyver (1991)

It’s hard to believe that such an amazing anime series like “Guyver” would be so poorly received here in the states. Back in 1991, my dad rented “Guyver” for us and I absolutely adored it because I thought the Guyver looked amazing. I loved the look, the concept, the costume, and his elbow blades. Not to mention the movie starred Mark Hamill and that bald guy I always see in horror movies who I always thought was cool.

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Atlantic Rim (2013)

The Asylum’s answer to Guillermo Del Toro’s upcoming “Pacific Rim” is goofy, and often times inadvertently funny. But in the realm of science fiction from The Asylum, I’ve seen so much worse. The Asylum has been pretty good about their science fiction inputs, offering another solid robot movie “Transmorphers,” so I was much more open minded with this endeavor. I would take writer Jared Cohn to task for offering no build up to the action, but if he went the opposite route, I’d be complaining he took too long. So in that respect, “Atlantic Rim” gets a pass for knowing exactly what kind of film it is.

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Big Trouble in Little China (1986)

big-troubleJohn Carpenter takes Clint Eastwood from “Any Which Way But Loose” and drops him smack dab in to the middle of a chopsocky film. The results are not only ingenious, but entertaining, funny, and the movie many movie geeks adore known as “Big Trouble in Little China.” One of the many fish out of water films about inadvertent heroes stumbling in to an extraordinary situation, Carpenter turns to his veteran collaborator Kurt Russell to lead the charge. Even for a film made in 1986, “Big Trouble” is such a resonant and inherently clever film that it’s barely shown its age at all.

Director Carpenter inherently avoids any and all clues that we’re in the middle of the eighties, and brings us in to a time where we’re shifting in between a seventies trucker era, and mystical China. Kurt Russell has a blast the infinitely charming and dashing All American hero Jack Burton. He’s a drifter and lone wolf who happens to find a purpose in the middle of his humdrum life with his big rigs. When his best friend’s wife is kidnapped by a local Chinese gang for the intent of being sold to sex slavery, Jack and friend Wang intend to come to her rescue. In the midst of their mission, they find themselves in a tug of war between two Chinese gangs that have been battling for decades.

“Big Trouble” is never content with just being an action film, and reaches in to the depths of fantasy to deliver one hell of a surreal picture. Carpenter introduces the three magical warriors known as “The Three Storms,” all of whom are servants of the dreaded sorcerer Lo Pan, an evil snake of a man who wields his magic with long sharp nails and a Charlie Chan mustache. With the sacrifice of a beautiful green eyed girl, Lo Pan plans to break an ancient curse and make Wang’s hostage wife his new mate. Russell approaches the role in his usual charisma and charm, as a man who seems awestruck by the world he’s in, even when he’s in extreme danger.

But while Russell takes center stage, he’s more a spectator while director Carpenter allows the seasoned cast of Asian actors to stage the battle of good and evil, and the fight for the souls of their women. James Hong is fantastic as Lo Pan and Disappears in to the serpentine make up, while Dennis Dun and Victor Wong offer stand out performances as the heroic men who battle Lo Pan and his monsters. Much of the special effects still hold up well, since they’re not the primary focus of the film. Much of “Big Trouble” gives way to wonderful martial arts scenes and great choreography, paired with the sensibility of a classic movie serial that never takes itself seriously. “Big Trouble” is one of the many daring and wonky Carpenter films, and one of his few dark comedies that will provide action fans a good laugh, and fun action sequences alike.

It’s a shame we never saw a sequel with the continuing adventures of Jack Burton, but “Big Trouble” works as a stand alone classic that features John Carpenter at his best.

The Return of Swamp Thing (1989)

The sequel to the Wes Craven horror fantasy completely strips away all pretense of drama and horror, and completely relies on its camp potential. “The Return of Swamp Thing” is more of an action comedy this time around, with Dick Durock returning as the plant man monster who lurks the swamps to fight crime and protect humans from Arcane’s mutant men. This time around Swamp Thing is basically on his own and becomes a more sentient being as he did in his television drama. Now forced to help a new love interest, as played by Heather Locklear, Swamp Thing has an unusual lure with the ladies. Can he procreate or engage in sexual activities? Who knows?

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Hungry For More Krites

Krites! I love them, I adore them. I even think they’re cooler than the Gremlins. What am I saying? They’d swallow those gremlins up whole. Can the Gremlins get in to one huge gang bang of a ball and swallow up a man with a few bites? I think not. Granted, you have to love Gizmo, but the Krites are tops with us.

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Honoring Ray Harryhausen (1920-2013) – Our Five Favorite Harryhausen Creations

I was fortunate enough to grow up around classic movie lovers, and since I was a child I was given a very hefty education in classic movies of all kinds. From Drama, to Science Fiction, I was able to understand the wonders of the classic films while also enjoying the modern cinema to boot. I loved the special effects spectacles, but I could also appreciate films like “Jason and the Argonauts” or “The Valley of Gwangi.” During my childhood, Ray Harryhausen’s works of art and amazing special effects astonished me. While they were low tech considering it was a new time for film, Harryhausen’s creations had a light and a life to them that computers and CGI animators could not duplicate. They had a spark within them, and within every motion, and I appreciated them with every film that Harryhausen left his signature on. Years later, I’m still a fanatic for Ray Harryhausen’s incredible work.

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