I hate country music. In all of its forms. I think it’s a pro-conservative, right wing, antiquated form of music best suited for run down bars, filled with whiny, bitching, moaning, chaw chewing, cow poking “stars” who have no idea what good writing is (“Courtesy of the Red, White, and Blue” is proof positive), and is a genre so disgusted with itself it’s lost touch with its roots and instead has turned into another form of adult contemporary pop. That being said I like the Dixie Chicks. Not because of their music, granted, they have great voices, but because one day in a concert, they decided to exercise their freedom of speech and tell their fans what they thought of our government. And the fans, the red state hicks they are, hated that, and turned on them.
Tag Archives: Music
Betty Blowtorch (And Her Amazing True Life Adventures) (2003)
I’ve never heard of Betty Blowtorch before–and after hearing their music, I’m sad I haven’t. I should really start seeking out better bands than what the media hands me. Granted, I only listen to classic rock, but you get my point. “Betty Blowtorch” is quite possibly one of the best rock documentaries I’ve ever seen. It’s the classic tale of a rock band starting out, garnering a fan base, forming a friendship, their attempts at stardom, their inevitable grasp for it, and their imminent downfall thanks to outside sources. Most modern music documentaries prefer to profile bands that suck like They Might Be Giants, or All American Rejects, but this film profiles a band–who doesn’t suck like Paris Hilton in a porno–they’re called Betty Blowtorch, four hard rocking bitches that were a hybrid of KISS, The Runaways, and Motley Crue.
Retire These F*cking Songs, Already!
Now for the record, I love trailers. Some are good and some are bad and usually they’re just slapped together sloppily to promote the movie. But the best trailers are the ones that don’t give the movie away. “The Exorcist”, “Night of the Living Dead”, “Psycho”, those are trailers that didn’t give the movies away, and the most essential part of a trailer like the movie is the music. Compiled is a list of songs I’m begging Hollywood to retire from movie trailers that decrease the value of the movie and ruin the experience. Let me tell you what triggered my meltdown. I was at home watching “Cinenews,” a program I watch to keep up with upcoming movies. It’s a great show, and at the end of the program they feature a trailer for a movie coming soon. Up comes the trailer for “Monster-in-Law” and during the trailer on comes a commonly used song and something just snapped. These songs need to be retired for the love of humanity, I mean I’m not saying these songs suck, as a matter of fact, some of the songs I’m about to list, I love–but god retire them before they start sucking! Does modern music suck so bad they just have to keep re-using this stuff again and again?!
Masked and Anonymous (2003)
This pointless, droning, pretentious, pompous, and incredibly self-indulgent piece of philosophical dribble is that rare indie film that makes me say “Oh, that’s why it was never widely distributed”. Being released in only 17 theatres, the writer and director for this film do a really ingenious thing, throughout the film. There are about fifty cameos from some really good actors. It not only gives the audience something to look at, but when surrounded around people who can really act, the producers attempt to make us forget how much of a one note simply awful actor Bob Dylan is. I mean he’s Bob Dylan, this man is like a bad-ass in my eyes with some incredible music, but come on, did he really need to do this film?
The Necromasters – Dead Baby Suitcase [Digital]
The Necromasters album, “Dead Baby Suitcase” was recently sent to me, and after listening I remembered I’m a rock buff at heart, so I had the help of a hardcore hip hop fan and at the end of listening to the album I realized that we were pretty much on the same level regarding our opinion of what we heard. The Necromasters’ songs have great rhythm and some are even worthy of listening aloud with smooth beats and decent melodies including “Matter of Time” which has a great energy, but in the end, there just was nothing here.
"The Texas Chainsaw Massacre" Soundtrack (CD)
I wasn’t a fan of the newest version of the cult classic horror film, and it wasn’t much of a change of mood when applied to this soundtrack. As always this is a soundtrack which is comprised solely of head banging hard rock, which isn’t a full complaint, but only a mild gripe. I wouldn’t expect Sarah McLachlan or James Taylor on a soundtrack to this film.
"Freddy vs. Jason" Soundtrack (CD)
I’d seen “Freddy vs. Jason” a week before in the movies before I’d been sent this CD, and I have to say I was pretty excited. I loved the movie so much, so I was curious to discover the approach from “Road Runner Records” towards this soundtrack. As I expected, it’s is chock full of nothing but hard rock songs that are loud and fast… not that I’m complaining; Freddy vs. Jason is a hardcore, fast paced movie so I couldn’t imagine any other type of music genre on this disc. I am a huge heavy metal fan and hoped for something like this.