“The Wizard of Oz” remained a favorite of mine all through my childhood and after so much advancement in special effects, it’s still a marvel to watch. Fleming and Warner’s partnering was a match made in heaven as Fleming took the L. Frank Baum beloved novel and gave us a fantasy epic that’s been mimicked and beloved since its initial release. Years after wearing down my old VHS copy I’ve managed to view the Victor Fleming masterpiece as one of the weirdest films ever made. Watching it from the view of a child differs from when you see it as an adult and watching it on the restored 70th Anniversary edition has brought to mind some images that seemed normal then that are surprisingly surreal today.
Tag Archives: Musical
Hamlet 2 (2008)
Andrew Fleming’s “Hamlet 2” is probably everything “High School High” wanted to be and couldn’t. It’s a raucous comedy that also doubles as an inspirational teacher vs. underprivileged kids flick sans any of the politics and searing melodrama. “Hamlet 2” is probably one of the funniest movies I’ve seen not associated with Judd Apatow and that’s thanks in whole to Steve Coogan who is absolutely hysterical as failed actor Dana, a man who has resorted to making school productions of popular Hollywood films and must find the right play to rejuvenate the arts program when he receives word all arts are being cut from the school he attends.
Awake O’Sleeper (2008)
I was watching “Awake O’Sleeper” on my computer, in my room, in the end of a boring day, half asleep, and ready for a quick film. And what I got at the end was a pretty damn great short musical from Brandon McCormick. And when I say pretty damn great, I mean this is probably one of the best indie musicals I’ve seen in a long time and you can only say that about the 5% of indie filmmakers daring enough to try their hand at the genre.
American Pop (1981)
Ralph Bakshi’s “American Pop” is not so much about a story as it is about music and the power it holds. As trite as it is to say, Music is the soundtrack of our lives, and as such has a power over us to help us cope, help us think, and is the key to our memories and fates. “American Pop” is not so much the story of many men through history originating from a faithful Jewish man who refused to vacate his temple during the raiding of Russian Czars one day, it’s more the evolution of music and how the people in and around the transformation are but a mere microcosm. From a Canter to a Vaudevillian, to a piano player, “American Pop” may be the exploration of music but Bakshi also manages to convey how it’s served as a source of love and emotion for a long line of men craving some sort of love and affection in their lives.
Mamma Mia! (2008)
There’s not a better trio of respective dads than the likes of Stellan Skaarsgard, Pierce Brosnan and Colin Firth, all of whom are quite entertaining in their hapless roles as men pulled in to a wedding of a girl that may be their long lost daughter. Probably the stand out is Pierce Brosnan who presents a great chemistry off of Meryl Streep as Sam, the man pushed away after a brief fling. These three are never afraid to get goofy in their performances and can handle the singing quite well when they need to. Amanda Seyfried is given a big responsibility to carry the role of Sophie, an idyllic dreamer who hopes to find her father bringing the entire scenario together and shines vocally and charismatically as this young girl who uses her wit to bring together this group of people to bring closure to her biggest question. Seyfried handles the role well and she’s a thrill to watch.
Poultrygeist: Night of the Chicken Dead (2006)
Arbie: I’ll believe in the supernatural when I see it, talking sandwich.
So I sat down at my chair, popped in the movie and sat prepared to watch another shit fest from Troma. I’m somewhat of an anti-Troma pusher, so I was not looking forward to this. And my eventual reactions were a varying degree of disgust, horror, disbelief, and amusement. I laughed. And I laughed a lot. I’d even go so far to say that “Poultrygeist” is quite excellent. It’s something of a demented twist that it took Native American chicken zombies to finally get me to like a Troma movie, and trust me I had no intention of enjoying “Poultrygeist,” so much. But from the ridiculous opening to the horribly catchy musical numbers, Lloyd Kaufman has created a very memorable bit of horror comedy that may just lure more anti-Troma individuals like me.
The Easter Bunny Is Comin' to Town (1977)
So I sat here trying to think of reasons why I liked “The Easter Bunny…” and then after about three hours of sitting still and looking into a wall, I realized that I was being a little too easy on Rankin Bass. Even in this day and age, there’s a certain charm to Rankin Bass and their stop motion creations. “The Easter Bunny…” has a great visual sense with character designs and pastels that are aesthetically pleasing and rather appealing to the eyes, and they’re always nothing short of superb when providing special effects, even considering the time these movies were made.