“Which would be worse, to live as a monster or to die as a good man?”
When I was finished with “Shutter Island,” I understood what director Martin Scorsese was pushing for in the area of a dark and complex journey of a man in to the bowels of a mysterious island. I understood that deep down Scorsese had an ambitious and admirable hunger to bring to us a modern “The Cabinet of Dr. Caligari,” but ultimately, his efforts fail to bring a work of art that’s grandiose but low key in its effort to make a commentary about the human soul and the psyche. While the character of Teddy Daniels ends up becoming a truly tragic and complex individual, the caveat with “Shutter Island” is that everything surrounding the character of Daniels ends up becoming rather lackluster and limp. Especially when the surprise twist is given away so easily in the original trailers.
