I hope you understand when I say that I’m utterly speechless, but it’s true. Pixar always manages to surprise with their imaginative adventures and character focus that they come dangerously close to Studio Ghibli territory at times. Take “Up” a movie very reliant on mid air travel and vivid landscapes and (sometimes literally) dog fights that are conducted in the open air. “Up” is a sweet and funny film about Carl Fredrickson, an old man whose spent most of his life selling balloons and devoting his love to his wife Ellie. After a somber note where Carl is left behind widowed, he decides to fulfill his life long dream of traveling to South America and he has a stowaway on board in the form of a chunky hero named Russell.
Tag Archives: Pixar
Wall-E (Single-disc Edition) (DVD): Widescreen Edition : Disney Eco-friendly Packaging
Before you start in on what the best movie of our year has been so far, I’ll just declare straight that “Wall E” may not only be the best movie of the year, but also one of the finest PIXAR has ever created. Intelligent and bold without alienating its target audience, “Wall E” is that movie that dwarves talking animals flicks blowing away the likes of chimps in space and a kung fu panda. “Wall E” is a magnificent global conscious adventure about the utterly adorable helper robot who doesn’t know that he doesn’t have to clean up what was once considered our home planet.
Wall-E (2008)
“Wall-E” dares to be anything but predictable. It’s quiet, it’s subtle, it’s intelligent, it features barely any dialogue at all, and it asks us to think of a world where garbage has become so cumbersome we’ve been shoved off our planet by our own waste. “Wall-E” is simply a masterpiece. Continue reading
Our Top 10 Cinematic Heroes
Last year, AFI posted their acclaimed list “The Greatest Cinematic Heroes and Villains.” Taking great umbrage with their many choices, I decided to sit down and think about it. Who were my Ten Cinematic Heroes? Who were ten people I’d strive to be, or would want to be in a perilous situation? I’m one of those weirdos who really always side with the heroes. Whether it’s an epic science fiction film, or swords and dragon fantasy film, the heroes have always appealed to me. Comics, Video Games, Cartoons, it’s always about the good guys overcoming an obstacle and or villain who wants to take over the world, or just plain ruin their life.
A hero isn’t always made, a hero is often a figure of circumstance, an individual who blossoms from a horrible situation, or someone who just decides they have to do the right thing against everyone else’s frustration. A hero is one who is willing to lay it down and sacrifice just to help someone they love, or possibly someone they’ve never met. They rarely ever get a pat on the back, or a reward, nor is their decision always justified, but they do what’s right, and that’s enough. These are my top 10 Cinematic heroes.
Ratatouille (2007)
One of my favorite modern storytellers in the animation genre happens to be Brad Bird. Not only is the man a wonderful writer, but he gets modern story themes and basic characterization, all the while building on adult themes that children can understand but will also appeal to adults as well. One of the most underrated and innovative filmmakers in film today, Brad Bird only seems to get better with every film. “Iron Giant” was a masterpiece of friendship and alienation, “The Incredibles” was a wonderful take on the dysfunctional family in modern suburbia, and now Bird yanks Pixar from its horrible “Cars,” with this fantastic follow-up “Ratatouille.”
Cars (2006)
Maybe it’s because Pixar seems to be attempting to appeal to the NASCAR crowd, maybe it’s because Pixar seems to be glorifying a “sport” that’s really just cars driving around in circles, or maybe it’s because Pixar has created a movie that is preaching about the good days of society when it was more innocent, from a company like Disney that’s basically sterilized and dominated the world with its utterly sickening spree of overpriced merchandise. Turn any corner in Times Square in New York and you’re guaranteed to see something from Disney. And that’s not a coincidence. Disney is the cause of many problems in America, one of which is their sheer monopoly on companies and media, and the contribution to the overall vast consumption that’s ruined how Americans think.
The Incredibles (2004)
While comic book movies are shooting to audiences in theaters at an almost rapid fire pace, very rarely does the film medium examine the person behind the superhero, the true human and “The Incredibles” does that. Few films such as the underrated “Unbreakable”, “Spider-Man 2” and “The Hulk” have taken the time to examine the psyche and basic mundane aspects of being a superhero and living with the persona as a human too. As a comic book geek since childhood I always relish the chance to catch my superheroes on the big screen despite the fact that rarely is the transference ever satisfying, but few films create their own heroes and then work from the ground up, and instead of focusing on the superhero aspect and then the human, films such as Shyamalan’s “Unbreakable” and this, work on focusing on the humanity and then the hero which is more secondary.