Adapted from the graphic novel and based on a true story of the Sullivan family in the early thirties who are all tight knit with a rich old man named John Rooney whose known Mike Sullivan, the head of the Sullivan family since he was a child and raised him. Mike’s kids Peter and Michael (Tyler Hoechlin) soon become curious of Mike’s job. One night, young Michael follows his father on one of his “missions” and learns the gruesome secret of his job. In an attempt to protect his son from being hunted by a vicious assassin named McGuire, he sets out on the road with his son to search for salvation and dodge death.
Tag Archives: Revenge
Darkness Falls (2003)
“All this for a fucking tooth.”
In the town of “Darkness Falls” (There’s a name that will attract tourists), a kind old woman named Matilda Dixon used to give coins to children for their baby teeth out of kindness. One day she was caught in a house fire and became badly scarred; so much so she wore a porcelain mask to cover her wounds and hid in the dark due to sensitivity from sunlight. One day two children went missing and the town blamed her, and hung her. Before she died she inflicted a curse on the town until one day the two missing children appeared. The town hid the secret until modern times. We meet Kyle who encountered the demonic tooth fairy when he was a boy barely making it out alive and became institutionalized. Twelve years later, his childhood girlfriend Caitlin (Emma Caulfield) is experiencing an ordeal as her little brother is afraid to sleep claiming the tooth fairy will get him.
Brotherhood of the Wolf (Le Pacte des loups) (2001)
To say that this is a cool movie would be an understatement. I was very curious to see whether this movie was action or horror, when in fact, it was a hybrid of both. This is the first and possibly only French movie I’ve ever seen, and I have to tell you, if they can make movies like this then: viva la France!
Ballistic: Ecks vs. Sever (2002)
“Ballistic: Ecks vs. Sever” sways the general public into thinking this is a sort of “Spy vs. Spy” film, but it’s not. It’s not “Ecks vs. Sever”, it’s “Ecks fights Sever for a while and then they become allies when they discover they’re fighting for the same cause”. But that would be a stupid long title, not like “Ballistic: Ecks vs. Sever” which is… never mind. The film is chock full of clichés, meaningless violence, lapses in pure logic and plausibility, little to no character emphases, and plot holes galore. Antonio Banderas’ character Jeremiah Ecks is a mix of many, many tired and generic hero elements from previous action movies starring Sylvester Stallone, Schwarzenegger, and a lot of other people.
Empire (2002)
“Empire” is a fiasco for the record books, one that desperately tries to carve heroes out of thugs, gangsters, and deviants, and fails horribly. The movie, noticeably, takes much of its formula from better gangster flicks, including “Scarface” and rips apart the movies, taking each element, pasting it together in this. The entire narrative and pitiful attempts at character development are annoying, slow and so predictable it’s disgusting. Franc. Reyes directs this like a film student, never contributing anything new or different to talk about.
Collateral Damage (2002)
Arnold Schwarzenegger plays firefighter Gordon Brewer, a family man who witnesses his wife and son get murdered in a terrorist bombing. When he sees a Colombian ambassador refer to their deaths as “Collateral Damage”, a term meaning that their death is all part of war, he get angered and vows revenge on the mercenary who committed the crime. With the help of his wits alone, he travels to Colombia to track down and kill the terrorist crime lord known as “El Lobo”. Arnold Schwarzenegger does his best with what he’s given with in this movie and doesn’t overact his part like in his frequent movies. He’s a likeable character in this movie, and for once is a relatable character.
Enough (2002)
“Enough” takes a serious and tragic topic like domestic abuse and exploits it, making idea of the crime something commercial with a very Hollywood narrative. I dare you to count the bruises and wounds inflicted on Lopez’s character and then add it to the years she suffered from the abuse, and it never quite adds up. Jennifer Lopez hams it up big time as protagonist and “heroine” Slim, attempting to depict the character as vulnerable, and even cuts her hair in a straight mop top to look like an average woman, when really it looks like a wig.