The Legend Of Billie Jean (1985)

This 1985 drama thriller is a gem, and one of my favorite guilty pleasures of all time. In spite of one of the cheesiest one liners in movie history: “Fair’s fair!” and having one of the coolest if goofiest theme songs of all time, somehow “Billie Jean” remains one of my favorite eighties gems.  Back before I ever heard of cable television, I’d watch this four times a week on WPIX Television here in the Bronx and my what a classic we thought it was. And it still is, at least to me and a few other people out there. Billie Jean is just like every other girl her age, a wide eyed optimistic beauty whose only desire is to be left alone to have fun with her brother Binx during the summer.

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Director Alexandra Fisher of "Desert Wedding"

A most recent earner of the Cinema Crazed’s coveted Indie Spotlight, “Desert Wedding” is a wonderful short drama about a materialistic woman on the verge of marriage who suddenly gets a lesson in appreciating what’s really important in life while you have it. Simultaneously, it’s also a commentary about the fuss and chaos women work themselves up in during weddings, so intent on sparing no cost, that they forget why they’re getting married in the first place, and director Alexandra Fisher provides a gripping dramatic short film that conveys this interesting undertone rarely ever put to the screen. Multi-talented, and multi-lingual, Fisher sheds some insight in to her hectic life and tells us about the experience making her short.

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The Big Bang Theory: The Complete First Season (DVD) (2008)

“The Big Bang Theory” had every chance to fail. It was a forgettable premise, a formula concept and really didn’t look to offer up anything new. And yet it ended up being really good and addictive. I watched the pilot when it premiered and stuck with it because in spite of the broad comedy, cheesy gimmick, and pretty exhausting pop culture references, it’s an amusing and charming sitcom with some good laughs in store if you want to give it a chance.

And as the season went on the little things started to really respond to fans. I like how the broken elevator has now become a character all in its own with a hint of realism. I like how Jim Parson’s character has become a staple of the show with episodes just not the same without him.

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Lost Boys: The Tribe (2008)

lost-boys-2-01You know originally there was supposed to be a sequel to “The Lost Boys” or at least an allusion to one in the original script for Schumacher’s vampire comedy that revealed the origins of Max, and that there were many, many more lost boys and girls out there looking to do his death some justice. Frankly, I would have preferred “The Lost Girls” a movie I pictured as a vampire thriller with less comedy and an all star cast of young female actresses currently taking Hollywood by storm. That was about six years ago. “Lost Boys: The Tribe” is that sequel I wouldn’t have completely wanted, but found reason to anticipate it anyway. I think that there could have been much more added to “The Tribe” to make it feel fresh and unique.

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Mamma Mia! (2008)

There’s not a better trio of respective dads than the likes of Stellan Skaarsgard, Pierce Brosnan and Colin Firth, all of whom are quite entertaining in their hapless roles as men pulled in to a wedding of a girl that may be their long lost daughter. Probably the stand out is Pierce Brosnan who presents a great chemistry off of Meryl Streep as Sam, the man pushed away after a brief fling. These three are never afraid to get goofy in their performances and can handle the singing quite well when they need to. Amanda Seyfried is given a big responsibility to carry the role of Sophie, an idyllic dreamer who hopes to find her father bringing the entire scenario together and shines vocally and charismatically as this young girl who uses her wit to bring together this group of people to bring closure to her biggest question. Seyfried handles the role well and she’s a thrill to watch.

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Hellboy II: The Golden Army (2008)

I was never a big fan of Hellboy mainly because it was difficult to find. Here in the Bronx, any chances of ever reading it were futile. But I was a big fan of the original “Hellboy” movie as well as the two animated mid-quels that others found generally forgettable. The first film was Guillermo Del Toro playing Mike Mignola’s game, a veritable bevy of oddities and monsters confined to the modest budget of a studio who had very little faith on the power of this concept. “Hellboy II” however is Del Toro’s game, a movie that’s reliant on the imagination of Guillermo Del Toro who brought with him Oscar cred via the masterwork of “Pan’s Labyrinth.”

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Roger Dodger (2002)

See kids, this here’s what we call a thinking piece. It’s verbose, intelligent, evenly paced, and all kinds of brilliant, which is why I’m  glad it never got in to the hands of a commercial director, because with tweaking it could have been a very cheesy rip off of “Alfie” in the vein of “Hitch.” “Roger Dodger” is a character study about a womanizer whose principles are always of use to the aspiring lover of all women, while the individual is so sleazy and manipulative that he may soon find himself alone and without a person to love be they a wife or any other family near him. Though Dylan Kidd does demonize the man who approaches women with such disrespect, he also explores that the character Roger isn’t truly a lost cause to society.

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