Take the attempted humor and characterization of “Shaun of the Dead,” the central plot behind the second half of “Night of the Creeps” and team it with “Return of the Living Dead” and you have yourself a sick and rather amusing little hybrid known as “Dance of the Dead” yet another zombie movie that branches off from Simon Pegg and Edgar Wright’s universe and tries for the same comedic momentum with a modicum of teen angst that doesn’t always work, but is nonetheless a fun indie romp. Let’s face it, the zombie genre is all but a skeleton of itself but that doesn’t mean director Gregg Bishop doesn’t give it the old school try by making his version of the Pegg-Wright romzomcom.
Tag Archives: Romance
Indiana Jones and the Kingdom of the Crystal Skull (Two-Disc Special Edition) (2008)
So I keep coming back to that same question over and over: Was “Kingdom of the Crystal Skull” really all that bad, or were more Lucas retractors just exaggerating because they grew up and Spielberg’s story didn’t? And I keep coming back to that same answer: No. “Kingdom of the Crystal Skull” really isn’t a bad movie; in fact it’s one of the better Indiana Jones entries I’ve seen that’s been grossly skewered by fans as the “Phantom Menace” of the Indiana Jones franchise, when really, it’s not bad. It’s actually quite good.
Shutter (2008)
Here’s what I learned from watching the remake of “Shutter”:
1. Even purely Asian women look Caucasian only because they should.
2. There are such things as spirit photography magazines.
3. There are experts in spirit photography.
4. Ghosts love a good game of piggyback!
5. And Maya Hazen is a stone cold fox.
LA Confidential (1998): 2-Disc Special Edition (DVD)
By my money, I consider James Ellroy’s “LA Confidential” to be one of the greatest crime dramas ever made. It’s an elaborate, morose, and brutally intelligent display of respective talents and truly keen storytelling that gets better with every single viewing. “LA Confidential” was not a real hit with me upon the first viewing; in fact I found it painfully mediocre once the credits began to roll. Suddenly, I found myself watching it repeatedly and soon discovered that it was a stellar piece of filmmaking that grew on me once I opened my mind a bit.
Smallville: The Complete Seventh Season (2007) (DVD)
It used to be a simple case of “If you don’t like it, don’t watch it.” Hell, if I don’t like a show, I just don’t watch it, but hear me out. With “Smallville” it’s different. At one time it used to be an excellent show, one that promised to be all about Clark Kent and his transformation in to Superman. Then somewhere on the fourth season, it was sold down the river and this show about Clark became a show about everyone else but Clark. I’m a hardcore true to the blood Superman fan and it’s not as easy as “If you don’t like it, don’t watch it.” I still sit and endure “Smallville” to this day because I pray and hope that it will return to its former glory of being about something.
American Pop (1981)
Ralph Bakshi’s “American Pop” is not so much about a story as it is about music and the power it holds. As trite as it is to say, Music is the soundtrack of our lives, and as such has a power over us to help us cope, help us think, and is the key to our memories and fates. “American Pop” is not so much the story of many men through history originating from a faithful Jewish man who refused to vacate his temple during the raiding of Russian Czars one day, it’s more the evolution of music and how the people in and around the transformation are but a mere microcosm. From a Canter to a Vaudevillian, to a piano player, “American Pop” may be the exploration of music but Bakshi also manages to convey how it’s served as a source of love and emotion for a long line of men craving some sort of love and affection in their lives.
London Betty (2009)
This is the same dude who did “Bikini Bloodbath”? While I’m always up for comedies that dare to be anything but the same old indie comedy crap, Thomas Edward Seymour can never really decide what kind of movie he’s making. At times he strives for Troma gross out comedy, then he tries for inexplicable touching sub-plots and then he’ll go for the bargain basement slapstick that was a lot funnier in his previous film. “London Betty” isn’t the worst movie I’ve ever seen, but I was definitely counting the minutes and waiting for it to end.