The Devil Wears Prada (2006)

devilwaerprada

“The Devil Wears Prada” is yet another film around Oscar time that was just insanely over blown for having some talent on its side, because I can’t see any other reason. As a dramedy it’s just the formula story of a girl who finds her self reaching stardom and abandons her roots. All the while writer Mckenna doesn’t make much of a case to convince us that this relationship Hathaway’s character Andy experiences is worth saving or pivotal enough to cause us to tear up at the prospect of this base tearing down. Adrien Grenier has literally nothing to do here but mope around and bitch about his girlfriend’s career, while Andy is really just a dumb tart really not worth fretting over. She’s a character who never quite reveals any bolder shades of complex emotions beyond superficial issues, which is probably the intent, and when she reaches down into her true roots once again, she’s still just a one note sap.

Continue reading →

Ghost Rider (2007)

ghost-rider-2007I tell you. I tell you. “Ghost Rider” had potential, friends. “Ghost Rider” under the right set of creators, competent direction, and writers it could have been one hell of a violent horror thriller with Ghost Rider not only serving as a horrifying anti-hero, but also a potential villain if not careful. With someone like maybe Clive Barker, along with a hard R and zero camp, “Ghost Rider” would have been a horror fan’s wet dream, but alas, we’re left with this. One of the most brutal crimes from Johnson’s screenplay is that he shamelessly cribs from the “Spawn” film. And if you’ve ever seen it, you’ll know that it’s hardly the source material capable for a competent film to begin with.

Continue reading →

Jopog Manura, (My Wife is a Gangster) (2001)

My_Wife_is_a_Gangster_movie_posterJin-Gyu Cho‘s film is a very unusual little entry. It’s basically all over the map in terms of the genres, and is really never what you expect it to be. The premise reads like a sitcom, except with violence and mystery a la “La Femme Nikita.” Sure, in some places that could lead to an awfully messy film, but “My Wife is a Gangster” surprisingly works. Eun Jin is a mob boss named Big Brother, who was given the tag of a legend after taking on a group of men to defend a friend in combat. But after so many years of acting like a man and grimacing, she finds her long lost little sister and now must stick by her while she dies. Her sister wants one thing for her: she wants her to get married.

Continue reading →

A Portrait of Envy (2007)

Love, especially unrequited and unspoken love makes us do some rather perverse things. Sometimes it will bring about a dark side within us and force us to confront it without our knowledge, and leave us oblivious to all logic and reason. Thus is the hook of Garcia’s utterly morbid and unsettling short drama. Very much in the vein of “The Weight of Water,” Gillian is a humble and rather meek woman who suddenly finds her soul mate one day at work. Rather unassuming at first, she sparks a conversation with her co-worker Jerry, and the two engage in a conversation about art that instantly brings her to the brink of sheer euphoric bliss which is crushed under the weight of Jerry’s confession that he has a girlfriend he’s about to marry.

Continue reading →

Hairspray (1988)

hairpsprayThough it’s true I’ve never been much of a John Waters fan, the prospect of the upcoming remake has entertained me some. Not only is the prospect of seeing John Travolta in drag a hilarious option for movie viewing, but, yes, I think it looks entertaining in spite of the serious possibility it will be completely watered down, and void of any of the civil rights commentary posed. Before that, though, I thought I’d see “Hairspray” for the first time to see what the big deal is. Like all of Waters’ films, it’s a cult classic, and one that’s an acquired taste.

Continue reading →

Waiting… (2005)

In the end, “Waiting” is yet another “Clerks” rehash, but alas, it’s a rehash that works. And why? Mainly it’s because it manages to cast the talents of folks who can actually handle comedy; Luis Guzman, Ryan Reynolds, Justin Long, Anna Faris, the list goes on. Suffice it to say, the cast is an all-star cavalcade of comedy actors, save for the likes of Andy Milonakis. “Waiting” is also supposedly a film that perfectly captures what it’s like to be a waiter or work in the restaurant industry, and goes behind the more disgusting facts of working in a restaurant, including the restlessness of its workers to keep from going insane. “Waiting” may not be a comedy classic, but for what it is, it made me laugh quite often.

Continue reading →

Deep Throat (1972)

Doctor: Having a clitoris at the bottom of your throat is better than having no clitoris at all.
Linda: That’s easy for you to say! Imagine having your balls on your ears!
Doctor: Well… then I could hear myself cumming!

You know it, you love it, you pretend not to know what it is in front of certain company, it’s “Deep Throat,” a movie that’s become so utterly famous that it’s also helped to define the oral sex technique that’s like average fellatio, but amps it up a notch. I won’t sit here and explain the difference between regular blow jobs, and deep throating, because I know that you know what the actual difference is, no matter how much you deny it in the end. “Deep Throat,” much like “Debbie Does Dallas,” is one of the porn classics that really go beyond its genre. This is a film that’s become a staple of pop culture and really did shake everyone up to their boots for the simple fact that it was a huge hit. And for the fact that the success for the film was less about the film’s quality, and more on the gravitas it brought with it to seedy movie theaters. I mean what’s not to like about it? It’s only an hour long, features hardcore sex scenes, the late great Linda Lovelace, and has a title that pretty much describes the entire plot.

Continue reading →