More of the same buddy comedies running rampant in theaters, “Superbad” is less a comedy about teens trying to get some, and more a story about coming of age and realizing that with age means shedding childish things and sadly having to part with some of your best friends who will likely disconnect from you once life comes into play. Rogen’s comedy is very much in the tradition of great films like “American Graffiti,” and “Dazed and Confused,” in which we follow one night in the lives of three soon to be college freshmen enjoying antics and hilarity in their town as they prepare to part ways. “Superbad” is hysterical, but it’s also touching in its own ways, accurately depicting friendship at such a young age.
Tag Archives: Romance
Nature of the Beast (2007)
The death kiss of the “American Pie” franchise continues, as Rodman Flender’s comedy asks us to pontificate the notion of one of the guys from “Teen Wolf” actually growing up to be married. And what if this guy didn’t tell his wife that he was a werewolf by nature, or super nature? Sure, this is really just a ninety minute sitcom in reality that uses a small horror device that doesn’t even place it within the horror fold, but it does indeed rip off “Teen Wolf” considerably. This could very well have been a sequel that occurs ten years later if they pushed for theatrical distribution hard enough.
Knocked Up (Unrated Widescreen Edition) (DVD) (2007)
I love Seth Rogen, I’ve loved Seth Rogen since the days of “Freaks and Geeks” when he was the often difficult supporting character Ken, who popped wisecracks, I loved Seth Rogen when he was in “Undeclared” as almost the same character, and now he’s finally leading a film that’s a much deserved turn the man. “Freaks and Geeks” fans know the man can headline a movie and Apatow proves that. As the character Ben, he’s probably one of the many complex characters that Apatow has such a talent for concocting.
Spider Baby or, The Maddest Story Ever Told: Director's Cut (1968) (DVD)
“Spider-Baby” is without a doubt one of the oddest cannibal movies I’ve ever come across. And it’s not because it’s old, but because the cannibalism ends up becoming much more implied than explored in the end. There isn’t exactly anyone eating other folks here, but there are often the signs. Young Virginia collects ears, and eats bugs, while Elizabeth attempts to guilt her into her natural urges, even though she’s experiencing the same cravings to give in.
Hollywoodland (2006)
On June 16, 1959, George Reeves committed suicide; which was then later thought to be and is still heavily debated as a murder. This death was important to many people for the simple fact that it was the end of a beloved icon, and one of the earliest people to bring Superman to life. Reeves is also one of the earliest to help fuel the alleged Superman Curse, a series of coincidences later touted and tagged as a black mark on the folks who played Superman, for the sake of selling books. Is it a curse that brought about such bad ends to these men who played Superman? I say no. It was merely a bunch of coincidences that lent credence to the term “Shit happens.”
The Devil Wears Prada (2006)
“The Devil Wears Prada” is yet another film around Oscar time that was just insanely over blown for having some talent on its side, because I can’t see any other reason. As a dramedy it’s just the formula story of a girl who finds her self reaching stardom and abandons her roots. All the while writer Mckenna doesn’t make much of a case to convince us that this relationship Hathaway’s character Andy experiences is worth saving or pivotal enough to cause us to tear up at the prospect of this base tearing down. Adrien Grenier has literally nothing to do here but mope around and bitch about his girlfriend’s career, while Andy is really just a dumb tart really not worth fretting over. She’s a character who never quite reveals any bolder shades of complex emotions beyond superficial issues, which is probably the intent, and when she reaches down into her true roots once again, she’s still just a one note sap.
Ghost Rider (2007)
I tell you. I tell you. “Ghost Rider” had potential, friends. “Ghost Rider” under the right set of creators, competent direction, and writers it could have been one hell of a violent horror thriller with Ghost Rider not only serving as a horrifying anti-hero, but also a potential villain if not careful. With someone like maybe Clive Barker, along with a hard R and zero camp, “Ghost Rider” would have been a horror fan’s wet dream, but alas, we’re left with this. One of the most brutal crimes from Johnson’s screenplay is that he shamelessly cribs from the “Spawn” film. And if you’ve ever seen it, you’ll know that it’s hardly the source material capable for a competent film to begin with.