Lovely & Amazing (2001)

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I was pleasantly surprised at how “Lovely & Amazing” exceeded all my expectations. We get a truly incredible heart-wrenching story about these women that face what everyday struggles involving body image. Director Nicole Holofcener also explores how petty these issues about image can be to a woman, and how it so ironically affects their lives inadvertently. “Lovely & Amazing” tells the tale intense tale of four women facing life and its many challenges. We meet Michelle (Katherine Keener) a woman in the crossroads of her life as she faces a dead-end marriage. She is an aging woman who is a struggling artist with a husband who shows basically no interest in her sexually.

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Hulk (2003)

hR5PQ8JBased on one of the most popular and beloved characters in Marvel Comics, we meet Bruce Banner, a timid and shy scientist who performs experiments on animals using Gamma radiation. An accident in his lab causes the gamma radiation to explode and exposes Bruce to a lethal dose. To the surprise of his girlfriend Betty Ross, he is fine but soon discovers that his suppressed rage, when released, unleashes an incredible large green beast known to him as “The Hulk”. An evil military scientist named Talbot wants the hulk to extract his DNA and create a race of super soldiers. All the while general Ross wants him dead at all costs. Now, Banner must confront his horrible past and come to grips with his curse all the while clashing with his psychotic father David who wants to use the hulk for his own benefit.

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The Tuxedo (2002)

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Jackie Chan seems often bored and detached from this film, never giving the charisma he displays in his movies. It dawned upon me that he might be aging or running out of ideas as he starts using wires to help with most of his stunts. We open with him attempting to ask a sexy art dealer on a date and ultimately screw it up. I found it hard to believe that an art dealer would go out with a creepy stuttering taxi driver, so I wasn’t surprised when she rejected him like a bad habit.

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Serving Sara (2002)

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It’s difficult to see this movie as nothing more than a romantic comedy than a real one. Many of the jokes tend to fall flat on its ears with badly written puns and comebacks often spewed by Perry. This movie has many of the usual elements a humdrum romantic comedy has including the obligatory villain, and the formula in which the characters hate each other at first but soon grow to love each other.

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The Time Machine (2002)

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For a movie with such a big budget and such incredible special-effects, it’s hard to believe this is so terrible. I think Guy Pearce is a great actor and should be in roles better suited for him rather than starring in low-level cheesy roles such at this. He tries his best to work with the material he’s given in this movie and seems to work hard but it doesn’t pay off simply because of the story. Director Simon Wells, great grandson of H.G. Wells and director of animated films such as “Balto” and “The Prince of Egypt” completely misses the point of the novel and turns it into a cheesy science fiction flick. The movie is loud and gaudy, often giving to the audience more style than substance and presenting a paper thin adaptation.

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The Opportunists (2000)

Victor Kelly (Christopher Walken  Catch me if you can, Deer Hunter) is an ex – con from Queens who’s out of luck running an auto shop that basically being driven into the ground. One day a mysterious Irish relative appears claiming he’s related to him. However, he is soon lured back into crime by he and two other eager security and, left without any options, he decides to plan a heist to rob a low – security bank.

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Deuce’s Wild (2002)

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Despite the slick and grim tone of “Deuce’s Wild,” Scott Kalvert’s attempt at a gangster picture is the worst film of 2002. And it’s likely one of the worst movies I’ve ever seen. We get a nonsensical, clichéd movie with a contrived plot and go-nowhere characters, all of whom are nothing but comical walking clichés with writers Paul Kimatian, and Christopher Gambale showing zero restraint in predictability. How do you waste such a dynamic cast on such a putrid waste of film?

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