On Blu-ray & DVD July 30 from Well Go USA
12-year-old Charlotte finds and raises a spider that grows at an incredible rate. Soon, people in her building die in mysterious ways, something Charlotte needs to face and deal with before her family becomes the next victims.
Now Available from Shout! Factory. The Novel is Also Available.
Believe it or not, in 1998 Ben Affleck wasn’t the biggest star in the world. He was still coming down from being pigeonholed as the “villain” actor, and was working to transition from supporting actor to leading man status. With “Phantoms” he is basically paying his dues for what is a pretty standard horror thriller. Affleck is very good in the role as a local sheriff whose ill fitted cowboy hat is almost a character in and of itself. Like the hat, “Phantoms” is a silly vehicle for a collective of pretty great up and comers including Nicky Katt, Liev Schreiber and Rose McGowan to name a few. There’s also the wildcard veteran a la Peter O’Toole for good measure.
With all that we now know about marine parks, Joe Alves’ “Jaws 3” isn’t just a terrible film, but it’s also one filled with awful undertones. The cast of “rah rah America actors with white teeth spend the majority of the mostly dull “Jaws 3D” obliviously trying to turn the newest discovery of a massive great white in to a new attraction. Meanwhile the writers and producer seem to turn “Jaws 3D” in to an almost pitch video for the Jaws ride in Universal. After “Black Fish” in 2013 we learned so much the heinous treatment of these poor animals, and how there are aren’t any real winners or losers.
There is just a mangled shark, imprisoned dolphins, and loyal scuba expert Matthew.
Available from Warner Home Entertainment.
Director Jan De Bont is one of the last remaining blockbuster directors that delivered a one two punch of big movies in the 1990’s. After his big debut with the thriller “Speed,” De Bont followed it up with a classic disaster film in the tradition of Irwin Allen. The climate was just right as disaster pictures had experienced a big resurgence and “Twister” hit all the right chords. While it might not be the most complex of disaster pictures, it has a great time staging huge scenes of weather wreaking havoc on land.
“A Quiet Place” has managed to balloon in to its own respectable horror/scifi series but through it all has remained an apocalyptic tale about people. Just when you thought you’d seen all apocalyptic scenarios, Krasinski and co have explored a reality where Earth is destroyed by super powerful monsters known as “Death Angels.” They hunt by sound and are merciless when pursuing victims. In spite of running the risk of tiring this premise, “Day One” finds a way to explore a new angle of this alien invasion. Here, director Michael Sarnoski likens the invasion of the “Death Angels” as a horrible catastrophe where in survival relies on isolation and alienation and not unity.
Funsize Epics Vol. 2 Shorts Block
What is essentially another proof of concept short film, Kyle Perritt’s “Robbie Ain’t Right No More” is a mix of “Death Dream” and “Astronaut’s Wife.” It’s basically a horror movie but deep down it’s ripe with potential to deliver on themes about PTSD, the effects of serving in the military, and the way coming home from the war can change people. It can make them almost unrecognizable in many ways, allowing for an unusual situation.
Now Available from Warner Home Entertainment
In 1996 the cable channel Cartoon Network had solidified itself as a competitor with fellow kids channels like Nickelodeon and Disney Channel. After spending many years playing reruns from their massive Hanna Barbera back catalog, the channel began to dabble in airing their own original series. They recruited a slew of brilliant creators to offer up their own unique animated series, and among them was “Dexter’s Laboratory.” Created and animated by Genndy Tartakovsky, “Dexter’s Laboratory” was an entertaining and often hysterical animated show that dove head first in to the over the top realm with an extraordinary premise packed to the brim with comedic potential.