This time around “V” embraces its science fiction roots more, allowing for a lot more looks in to the rebellion, and the inclusion of new corners of the visitors’ world and the rebels. Most of all, there’s the introduction of a Visitor/Human hybrid that becomes one of the larger symbols of the war, and is pushed back and forth between the resistance and people that think the visitors can stop the invasion and work with Earth. Months after the humans sent out the beacon for other alien species to help them take down the Visitors, nothing has happened and the humans are still trying to stop the Visitors and their plans. Now the Visitors are building new tactics, which includes armor that can deflect bullets, and a form of torture leader Diana has concocted that allows her to convert humans to the side of Visitors for programming.
Tag Archives: Science Fiction
V: The Original Miniseries (1983)
It’s been said time and time again that if we don’t learn from history that we’re doomed to repeat it, and “V” is a remarkable miniseries that examines what happens when history repeats itself. Set in a not too distant future, Earth is visited by a massive race of anthropomorphic alien beings that looks very human in nature. Though imposing, the alien race presents itself in a charming and docile manner, and interrupts civilization to settle alongside us. Known as the Visitors, they’re a very uniform mass of beings, all of whom proclaim themselves our friends after arriving in a fleet of large ships one day. By garnering help from various governments and influential people to acquire various chemicals and minerals for their ailing world, they agree to give Earth access to their advanced technology which they promise will cure diseases of all kinds. Soon enough, though they begin to insinuating themselves in to the general populace and before long create an environment of unease and tension among some individuals.
Teen Titans: The Judas Contract (2017)
Sam Liu’s “The Judas Contract” is both a sequel to “Justice League vs. Teen Titans,” and an adaptation of perhaps one of the most iconic storylines in comic book history. And, I’ll just say it: The animated series of “Teen Titans” accomplished this storyline so much better. With “The Judas Contract” we’re given literally eighty four minutes to know, understand and empathize with the Teen Titans and perhaps feel a twinge of shock when they’re betrayed by a close ally. With the animated series, we were given so much more build up and time to understand the betrayal of Terra, as well as dodge all the creepy pedophilia overtones between villain Deathstroke and his assistant. The animated series allowed for a lot of build up and when Terra does make her descent in to the dark side it stings so much that even levelheaded Raven begins to shed a tear.
Stan Lee’s Lightspeed (2006)
It’s not that “Lightspeed” is pseudo-superhero junk; it’s that its pseudo-superhero junk that’s so painfully derivative, it’s boring to endure. Its ninety minutes of an origin story of two very uninteresting characters, both of whom are the resident hero and villain of said film, no less. The titular Lightspeed is just downright dull, even when the writers borrow (read: rip off) heavily from the lore of Spider-Man, Fantastic Four, and The Flash. With executive producer Stan Lee, the writers have license to rip off the aforementioned, I assume, but said elements are so poorly implemented that the movie itself is a chore. The derivative material wouldn’t be so bad, even, if Don E. FauntLeroy’s direction wasn’t so lackluster.
The Death of the Incredible Hulk (1990)
Even with the success of “Batman” a year prior, director Bill Bixby had a hard time accumulating the budget and network support for what became the final hurrah for the famed seventies series. Apparently “Death” was supposed to be a vehicle for Iron Man and She-Hulk, but the budget just didn’t allow for it. Not to mention around this time Bill Bixby received the unfortunate news that he had prostate cancer, so “Death” was ultimately a swan song for the series as a whole. It’s a mixed blessing, though, since the budget allows for this final film to give the Hulk what is a bittersweet finale. The movie isn’t at all perfect, and completely meanders in the middle of the film, but overall the final scene paired with the classic theme song is gripping and a great testament to Bill Bixby’s commitment as an actor before his untimely death.
The Trial of the Incredible Hulk (1989)
It’s been a while since David Banner has been on the road and he’s now looking for new lodgings in New York (aka Canada) under the guise of David Belson. After an incident involving a pair of jewel thieves on a train attacking a woman, David is forced to invoke the monster of the Hulk, which results in unfortunate casualties. After wreaking havoc as the green monster, David is arrested and is shocked to learn the women he saved on the train from the robbers is claiming David attacked her. He’s also being blamed for the unfortunate shooting of an elderly man during the attack. Realizing the pair of criminals were under the pay of local crime boss Wilson Fisk, David tries to clear his name along with his new attorney Matt Murdock. Little does David know that Matt is a vigilante by night known as Daredevil.
The Incredible Hulk Returns (1988)
Even after “Superman: The Movie” and its somewhat successful franchise, the idea of turning comic books in to movies or a TV show was a rare prospect. Studios considered it a gamble as then comic books were considered a kids medium, so it was an anomaly for something like the Incredible Hulk to be adapted in to a successful drama that stayed in syndication for a long time. Six years after the end of the series, Bill Bixby returns to the role of David Banner, a scientist now living in a seaside town with his girlfriend. He’s mostly lived a quiet life and is helping to create a machine that can decay gamma radiation. Though he’s helping the local lab to create it, he’s also hoping to use it as a means of killing the hulk and end his curse.