There’s no reason to watch Tom Six’s movies. I’ll just say it. The man, as far as I can see, is a haughty self-satisfied tool who has no loyalty to his craft or his fans. And yes he has fans. Honestly! “Human Centipede” bred a legion of torture porn fans convinced Six was on to something with his “artistic” enterprise in to human suffering. In reality Six has admitted his idea of Human Centipede is far-fetched. He doesn’t even stand by his film, often mocking it with hushed snickers. And now we have “Human Centipede II,” a meta-movie that shows Six’s general disgust and discontent for his fans. Here, the movie he made is really a movie and the world we live in is a black and white cesspool. His one true fan is a bulbous, obese, perverse, man-child who does nothing but revel in human suffering because he’s trying to manifest the Human Centipede for himself.
Tag Archives: Sequel
Scream 4 (DVD) (2011)
It’s funny. Even with all of the technological improvements and modern facets that Wes Craven implements with “Scream 4” for his new Ghost Face Killer, this 2011 output of the “Scream” franchise still feels painfully dated and utterly irrelevant. At a time where slasher films were once old news and horror was a dead genre, “Scream” came on to the scene and revived both the slasher sub-genre and the horror genre once more. But during a time where horror has become choked with new directors, original visionaries, foreign artists, and remakes galore, “Scream 4” feels much too little and much too late. “Scream” maintained a firm relevance through the years for quite sometime because it was a welcomed revival that brought to mind why we liked the genre in the first place. But with the film industry becoming more and more a bastion for the new filmmaker with at home technology that allows him to cut a film in under a year so easily, “Scream 4” doesn’t really do much for the genre. Had this entry arrived five years ago I can safely say that Craven would have surely been welcomed in to theaters by yours truly, but there simply is nothing left to do with the “Scream” premise.
A Nightmare on Elm Street 5 – The Dream Child (1989)
“Dream Child” is admittedly one of my favorite of the Nightmare sequels. While it doesn’t do much to further the lore like “Dream Master,” either, it does strike me as something of an entertaining installment in the series. Even years after watching it on network television time and time again, it still holds up very well to scrutiny. The premise is actually very creative this time around. Though it’s still a cheap excuse to keep the series moving, it’s quite innovative. Freddy has been revived once again and this is through the dreams of Alice. He revives his mother who gives birth to Freddy yet again, and Freddy is able to take on his true form as an adult. He knows something Alice doesn’t.
A Nightmare on Elm Street 3: Dream Warriors (1987)
As a person who has taken part in lucid dreams, it’s refreshing to see a sequel strive to turn the premise of “A Nightmare on Elm Street” completely on its head. With states of dreaming and forms of the sub-conscious there is so much one can do with the premise that it’s a dream come true to see folks like Frank Darabont and Wes Craven re-visit the material and figure out a new way to deliver it to fans. Considered arguably the best of the “Nightmare” films, “Dream Warriors” takes a look at what would happen if the kids in Freddy’s dream world decided to finally start fighting back once and for all.
A Nightmare on Elm Street 4 – The Dream Master (1988)
With “Dream Warriors” there was a purpose for its premise. It was the last of the Elm Street children and they had a score to settle with Freddy. With this Renny Harlin installment there isn’t much that can be done beyond the visual and Harlin brings it to the forefront with all sorts of surrealism that audiences will appreciate. Sadly, the cause for Freddy’s revival isn’t too creative, nor is the reason for the continuation of this narrative. There could have been a lot more to do with the concept of the dream warriors, and “Dream Master” is sadly just a vague reflection of the creativity brought to the aforementioned.
Paranormal Activity 2: Tokyo Night (2010)
Whether or not you enjoy “Paranormal Activity 2: Tokyo Night” is directly proportioned to whether or not you enjoy the “Paranormal Activity” franchise at all. At the end of the day this is Japan’s piece of the Paranormal pie and it is officially a sequel to and an extension of Oren Peli’s lore that he established with he first film and that has been established with the second film. This is not the first time an American film has seen a foreign sequel matched with an American sequel as George Romero saw his film “Dawn of the Dead” become its own franchise in Italy while “Day of the Dead” was simultaneously released and for once it’s refreshing to see Japan take on an American hit film and provide their own adaptation of the source material.
To kako – Stin epohi ton iroon (Evil – In the Time of Heroes) (2009)
When last we met our heroes from “Evil,” they were stranded in the middle of a futbol stadium looking for an escape helicopter rumored to be able to take them to a safe haven. Instead they were met with nothing and found themselves in the middle of a field surrounded by wall to wall walking dead. According to this film, they survived this hopeless battle and are now on the move to learn more about this dread zombie apocalypse. Never has there been such a scattered and hopelessly awful sequel than “Evil: In the Time of Heroes.” While the original was no masterpiece, it at least strived to bring us something of an interesting and intense zombie picture that practiced the formula of the modern zombie films with a twist on the supernatural.