I appreciate ambition. I love ambition. It’s an admirable quality, especially in the possession of storytellers and filmmakers. Sadly, ambition doesn’t always equate quality, and that’s the problem with “We Are What We Eat.” It’s ambitious, sure, but it’s not exactly the greatest short zombie film I’ve ever seen.
Tag Archives: Short Film
The Old Chair (2012)
It’s fantastic what some filmmakers can do when they’re given only a certain amount of time. I’ve seen short films literally crash and burn under the weight of their time restraint, while some just end without much of an explanation. Director Drew Daywalt however manages to squeeze in a back story, exposition, a full narrative and horrifying scares in a little under five minutes, and god help me, “The Old Chair” works as a horror film.
Red (2012)
There aren’t nearly enough animated independent films out there. And when there are, there aren’t nearly enough willing to experiment with the medium. “Red” is a fantastic short and sweet ditty that takes the Red Riding Hood fairy tale and adds another twist on the lore. Sure, we’ve seen the mythos of Red Riding Hood twisted and turned on its head providing allegories and symbolism for everything under the sun, but “Red” does something different.
I Spyders (2012)
Preparing to go in to festivals soon enough, I was able to get a hold of “I Spyders” through online means and I’m glad that I did. “I Spyders” is quite possibly one of the most skin crawling and yet unabashedly demented short films you’ll see in a while. This is one of the few short films that manages to have a spider wrangler on set, and when they can acquire an actual wrangler, you know the director is at least trying hard to get his point across. That’s called effort, filmmakers. That’s the word for this review. “I Spyders” isn’t so much a horror movie in the traditional sense, but its premise is very much horrific. Especially for anyone who is an avid arachnophobe.
Thirsty (2009)
Deep down I know I shouldn’t have enjoyed “Thirsty” so much and that’s mainly because the premise is so simplistic and absurd that it’s tough to take seriously at all. But that’s the intent behind “Thirsty.” It’s a free for all of absurd comedy and dark fantasy that keeps viewers entertained all the way through. And as a short film it knows when to stop the joke and thankfully the screenwriters know when to quit while they’re ahead. Joe Lynch plays the hopelessly over the top protagonist Joe, a young man on the road during a heat wave who manages to get on the bad side of a gas station attendant when he mouths off to him.
A Senior Moment (2012)
I was pretty sure I had an idea of where this film was going, but thankfully as with most productions with Patrick Rea behind it, you can never underestimate it or its ability to be clever and pull the rug out from audiences. That’s basically what “A Senior Moment” is all about, in the end. Sure it’s a nice and sweet little short about the lives of elderly folks that are amazingly similar to those of the younger persuasion, but the climax it leads up to is what kept lingering in my mind and giggling afterward.
Familiar (2012)
Robert Nolan is perhaps one of my favorite indie film actors already and he’s only been in two films I’ve seen in over the course of three years. Richard Powell and Zach Green formerly cast Mr. Nolan is the dark disturbing short “Worm” about a teacher on the brink of a breakdown and they catch lightning in a bottle yet again with Mr. Nolan as a man on the verge of madness as he soaks in every aspect of his life that is both mundane and maddening. Clearly unfulfilled and trapped, Nolan plays Chris who is a husband and dad seething with anger and hatred so bile that he can barely contain himself from committing horrible crimes against his own family. He can predict every aspect of his life and despises that fact until one night his wife reveals that she is pregnant.