You have to give credit to Mel Brooks for being so ballsy. In today’s day and age, a movie like “Blazing Saddles” would never get off the ground and become a mainstream comedy. Even with its material, Brooks runs the risk of becoming low brow, but thankfully manages to create the best comedy of all time. It’s my favorite from Brooks, edging out “Young Frankenstein” if only for the lead performance by Cleavon Little. “Blazing Saddles” satirizes the Western sub-genre, while also mocking its inherent racism, setting it in the middle of the slave era. Though the film is biting in its social commentary, it still manages to be incredibly funny, sidestepping the mockery of the slavery, and instead poking fun at the Caucasian characters.
Tag Archives: Spoof
Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb (1964)
There’s nothing funny about nuclear war. Unless you’re Stanley Kubrick, Peter Sellers, and George C. Scott and then, okay, it’s hysterical. Director Stanley Kubrick opts this time for a darkly satirical and often menacing film about American politics and what happens when the wrong orders are put out that will eventually bring the world to its knees. When America’s officials retreat to “The War Room” to sort out this nagging problem, Buck Turgidson and President Merkin Muffley attempt to find a course of action that will please all parties.
The Insatiable IronBabe (2008)
Say what you want about Seduction Cinema productions. Their films are cheap and flimsy, but they’re just never boring. The budget for “Ironbabe” was probably less than the budget for the opening animated sequence, and boy does it show. One of the few films from Seduction Cinema I’ve seen that didn’t star Misty Mundae, “The Insatiable Ironbabe” tackles the “Iron Man” craze of 2008 with about the level of humor and soft core sex you’d expect.
The Starving Games (2013)
Friedberg and Seltzer’s “The Starving Games,” because we haven’t seen enough fucking jokes about “the most interesting man in the world”! The only advantage to watching “The Starving Games” (beyond Maiara Walsh) is that the Beavis and Butthead of comedy film making seem to be operating on a lower budget, thus the piss poor effects perfectly reflect the utterly piss poor comedy.
Scary Movie 5 (2013)
As usual, the way to conduct spoofs and satires these days is to base them around familiar material and deliver reliable jokes that anyone could really write. Most comedy is based around the formula and the “Scary Movie” series has made money off of familiarity. “Paranormal Activity” is popular, so that’s up for grabs. Charlie Sheen and Lindsay Lohan are headlines so they have to be included. Snoop Dogg is still notable, so why not throw him in there? Ashley Tisdale is still a very popular star, so she’s a natural replacement for Anna Faris. And hey, people still kind of, sort of remember “Black Swan” and “Inception” so why not throw those in there for filler?
Young Frankenstein (1974)
Mel Brooks’ horror comedy classic completely and utterly challenged any and all norms and perceptions of formula comedy that I had when I was a kid. It was a black and white movie that was a comedy and though the film bordered on absolutely insane in the comedy meter, the cast in the film played everything with a straight face. Particularly Gene Wilder whose entire performance is deadpan and dramatic in spite of the fact he’s probably the funniest character in the film.
Dracula: Dead and Loving It (1995)
Many people insist that Mel Brooks pretty much lost it once the nineties introduced itself. His comedy was somewhat outdated and he’d run out of material. I say thee nay! Sure, Mr. Brooks didn’t deliver any films in the level of “Blazing Saddles” in the nineties, but damn it I think his later efforts were entertaining in their own right. I think “Robin Hood: Men in Tights” is wacky fun, and you know what? I happen to find “Dracula: Dead and Loving It” to be hilarious on more than one occasion.






