A man once said, “If you want peace, prepare for war”, but it’s without a doubt, no one ever retorted with “At what price?” Often times, war is rationalized by those who continue it and those who support it. Collateral Damage, Friendly Fire, and the like are terms used to further downplay the futility of war. I am not a pacifist by any definition of the word. I do not adhere to the mindset of such an ideal, but when it applies to “Munich” and the films ultimate pacifist message, I tend to agree with him and Kushner. “Munich” has been one of the most controversial films of 2005, and in the long run, of all time, and will have you stepping back to re-think not only the 1972 Munich tragedy, but war in general. Spielberg and Kushner through the events of 1972 use that as a template to express their feelings toward the modern world at war. Do the ends justify the means? Does going after terrorists end the war, or does it subject us to even more war?
Tag Archives: Steven Spielberg
War of the Worlds (2005)
Spielberg has always shy away from making films involving aliens that were actually aggressive. His was a role to make the aliens more human friendly, and kind, so it was quite a surprise when he signed on to direct this remake which featured prominently aggressive aliens exterminating the human race. As much I truly wanted to hate this remake–and I really did–I couldn’t deny that this was one hell of a film, that only Spielberg could have mustered up. It’s another remake, sure, but I actually managed to like it a lot.
The Terminal (2004)
Anyone who knows me or has even an inkling of what my reviews are like know I love almost everything Spielberg does, and Spielberg manages, through “The Terminal” to create a sense of something that all comedies lack: humanity, and through its humanity, comedy that is all so amusing and likable (I laughed aloud whenever Navorski looked into the surveillance cameras). Spielberg creates a film in the Capra-esque sensibility and it creates human characters that people can love and or feel sorry for in the process. Viktor Navorski is now a man without a country after his beloved country of Krakozhia engages in a coup and war breaks loose. His passport, visa, and anything else he owns are now deemed confederate dollar rendered basically useless. The problem is he can not step foot in America, and he can not go back home, so now he’s marooned in the airport.
Catch Me If You Can (2002)
To those who have said in the past that Spielberg, my hero, has lost it as a filmmaker, here’s mud in your eye. With his two most recent films (the great “Minority Report” which received mixed reviews, and the sub-par “AI: Artificial Intelligence” which bombed at the box-office) that weren’t up to his quality Spielberg comes out swinging with this breezy and light dramedy based on the book about real life con man and bank robber Frank Abagnale Jr., a man who before he was 18 made his way forging checks from Pan Am airlines, worked as a pilot, worked as a doctor, and then a lawyer leaving the authorities one step behind him until he was caught. This isn’t a love child of Spielberg who usually takes a personal investment in his many films with his tailoring and presence in the background but the quality isn’t diminished. The quality is in fact plentiful and flourishes throughout the entire length of the film.
Minority Report (2002)
In the movie it’s the future (2054) and we now see Washington D.C. where a system known as pre-crime is born. Pre-Crime is a new law system where people known as pre-cognitive are used as machines which can foretell the future and predict a major crime. Tom Cruise plays John Anderton, one of the best officers who bust the people who commit the pre-crimes. The system is perfect, flawless and it does the job… but what happens when the system turns on you? Now, accused of killing a man in thirty-six hours he doesn’t know, he is now on the run from his own task force and a Government official (Colin Farrell) who wants him at all costs.
A.I. Artificial Intelligence (2001)
Spielberg comes back in directing this tribute to late director Stanley Kubrick. Originally, an idea of Kubrick’s, he died before he was able to make the film, so Spielberg got the idea to finish it and make it as more of an ode to the late director. It’s funny, the vision of both Kubrick and Spielberg’s can be seen throughout the entire film. From the flicker of a mere light to a vast landscape of a robot city, I found this to be an engaging movie with incredible lights and characters. The movie resembles the classic fairy tale “Pinocchio” almost identically, as throughout the entire two and a half hours of the movie, we experience David’s search for the “Blue Fairy”, a being that can turn him into a real boy.